tag:blogger.com,1999:blog-7058765458749496802024-03-26T17:00:15.190-07:00aurapoesiavisualaurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.comBlogger148125tag:blogger.com,1999:blog-705876545874949680.post-39092903453813877782024-03-14T20:00:00.000-07:002024-03-15T11:04:13.198-07:00<p><b style="background-color: white;"><span style="color: #ff00fe;">#vispomotion N°30</span></b></p><p><span style="color: #ff00fe;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #ff00fe;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/cGleKF7MkyI" width="320" youtube-src-id="cGleKF7MkyI"></iframe></span></div><span style="color: #ff00fe;"><br /></span><p></p><p style="text-align: center;"><b><span style="color: #cccccc;">"Sea of Po" (for Jim Andrews) 1 & 2</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">Gary Barwin</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">2023</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">GARY BARWIN is a writer, composer, and multidisciplinary artist and the author of 30 books including the national bestselling novel Yiddish for Pirates which won the Leacock Medal for Humour and the Canadian Jewish Literary Award, was a finalist for the Governor General’s Award for Fiction and the Scotiabank Giller Prize, and was longlisted for Canada Reads. His latest books are Portal (Visual Poems) and Imagining Imagining: Essays on Language, Identity and Infinity. His recent public art installation, be:longings (with Tor Lukasik-Foss and Simon Frank) is a series of bronze sculptures installed in a Hamilton, Ontario park. His artwork has been exhibited at the Art Gallery of Hamilton (including a year-long interactive installation) as well as in galleries internationally. Born in Northern Ireland to South African parents of Lithuanian Ashkenazi descent, he lives in Hamilton, Ontario, Canada. https://www.youtube.com/@garybarwin • garybarwin.com</span></b></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-17894840098081041432024-02-29T19:00:00.000-08:002024-02-29T19:00:00.340-08:00<p> <b><span style="color: #0b5394;">N°94 Año 2024</span></b></p><p></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2V3ykaX8WIDd68bc9CKlcGk_GHTmXOQm6EWAUlupaANd7uBHPCBqNR1gHJ4n8F7awQeX36IZ2c4CLLU6xnMAioUn8pUKWnaJ7A5qHZy-V3GUdcmsTKT1QzC1zCHoz1KmGrOf9qUVW-G_a_U88sGayesdvTHJTohY8UpQuQKPbjM14X4NRsMKY9bMnDzM/s1836/Jay%20Snodgrass%20-%20Angels_as_Bridgebw1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1836" data-original-width="1362" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2V3ykaX8WIDd68bc9CKlcGk_GHTmXOQm6EWAUlupaANd7uBHPCBqNR1gHJ4n8F7awQeX36IZ2c4CLLU6xnMAioUn8pUKWnaJ7A5qHZy-V3GUdcmsTKT1QzC1zCHoz1KmGrOf9qUVW-G_a_U88sGayesdvTHJTohY8UpQuQKPbjM14X4NRsMKY9bMnDzM/s320/Jay%20Snodgrass%20-%20Angels_as_Bridgebw1.jpg" width="237" /></a></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">"Angels as Bridgebw"</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">2023</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">Jay Snodgrass</span></div><br /><p></p><p><span style="color: #cccccc;">Jay Snodgrass is poet and asemic artist living in the South Georgie and North Florida, US</span></p><p><span style="color: #cccccc;">He is inspired by the hyper-coded stylization of graffiti, illuminated manuscripts, alphabetic calligraphy forms, and the alien communiques that he receives by radio transmission directly into his mind from outer space. Sometimes those messages derive from a more divine origin which moves him to write in tongues.</span></p><p><span style="color: #cccccc;">These pieces are somewhere in the spectrum of new projects, subjects ranging from spells for speaking with the dead to coordinates for discovering time travel. </span></p><p><span style="color: #cccccc;">There are collage elements, urban geometry and vehicles of transport and escape. </span></p><p><span style="color: #cccccc;">These letter forms are derived from the lines in nature, the lines in the sky, lines in the broken speech of fallen leaves, lines seeping through from the made-world, form the broken asphalt, powerlines, agriculture, graveyards and traffic. The maps lead through chaotic movement to a world where the movement of branches in wind is more orderly than the worn-out currency of alphabets. </span></p><p><span style="color: #cccccc;">His asemic work has appeared in Diode, Lockjaw Magazine, Excuse Me Mag, and Asemic Front 2, Slowforward, The South Florida Poetry Journal, Utsanga and Big Bridge; as well as the asemic chapbooks, Masks from Paperview Books, and Book of The 12 Heavens from Conatagion Press. He is the author of Monster Zero, a book of poems about Godzilla. (Elixir Press).</span></p><div style="text-align: center;"><span style="color: #ffa400;"><b><a href="https://www.instagram.com/jaysnod?igsh=Z2tyMmx3aWJqd3Rs">https://www.instagram.com/jaysnod?igsh=Z2tyMmx3aWJqd3Rs</a></b></span></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-45340538632593124452024-02-14T19:00:00.000-08:002024-02-14T19:00:00.289-08:00<p> <b><span style="color: #ff00fe;">#vispomotion N°29</span></b></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/CSm4fAwP9lg" width="320" youtube-src-id="CSm4fAwP9lg"></iframe></div><br /><p style="text-align: center;"><b><span style="color: #cccccc;">"Sleep"</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">Antonin Waterkeyn</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">2023</span></b></p><p style="text-align: center;"><span style="color: #cccccc;">Born in Brussels, I studied graphic arts at La Cambre. Driven by a passion for motion design, I delved into the internet of that time to self-train in this discipline, and since then, it's been my sole focus. I worked for 15 years on After Effects, and I was beginning to grow tired of it. However, a year ago, I discovered the @cavalry.app program, which breathed new life into my work. In addition to my experiments, I create films for museums, concerts, and humanitarian associations.</span></p><p style="text-align: center;"><span style="color: #cccccc;"><br /></span></p><p style="text-align: center;"><b><span style="color: #ffa400;">https://www.mada-mada.com/</span></b></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-1842106212445873552024-01-31T19:02:00.000-08:002024-01-31T19:02:00.137-08:00<p> <b><span style="color: #3d85c6;">N°93 </span></b><b><span style="color: #3d85c6;">Año 2024</span></b></p><p></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9xM5SmucZri_rPy6oCwHXlFj4DaWrSGYggYUYD8FagoQ0uWMAX9czndr0u5071eoH2g_gGFghyeBpzMG3badrtpW43e1mNz2tBZ_EOeN7mp8keySaTozWQON6OxU8xNlZ7bTXt45GeYvzEuAfIxrQ6sYY9UchOdfN75hE5sphliUAJrZM53I2VidbuaM/s1890/107_intervencion_otrastintas.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1890" data-original-width="1890" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9xM5SmucZri_rPy6oCwHXlFj4DaWrSGYggYUYD8FagoQ0uWMAX9czndr0u5071eoH2g_gGFghyeBpzMG3badrtpW43e1mNz2tBZ_EOeN7mp8keySaTozWQON6OxU8xNlZ7bTXt45GeYvzEuAfIxrQ6sYY9UchOdfN75hE5sphliUAJrZM53I2VidbuaM/s320/107_intervencion_otrastintas.jpg" width="320" /></a></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">"Intervención"</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">Gisela Mardon</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">2022 - 2023</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #cccccc;">GISELA MARDON
</span></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #cccccc;">Soy Gisela Mardon, diseñadora editorial de profesión (DCV FDA UNLP) y artista visual y docente por convicción. La Plata, Argentina.
</span></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #cccccc;">Actualmente, imparto clases en la Facultad de Artes de la UNLP.
</span></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #cccccc;">Como diseñadora y artista, lidero el proyecto *OtrasTintas, una editorial artesanal especializada en la creación de libros y publicaciones de artista. Mi trabajo implica la exploración y experimentación de diversas formas de expresión y materialidades, abarcando la poesía visual, el libro y la publicación como obra, así como la edición.
</span></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #cccccc;">Mi enfoque principal se centra en el ensayo visual, destacándome por la confección manual de las publicaciones, lo que les confiere un carácter único. Produzco tanto ejemplares únicos como tiradas limitadas de 50 y reedición por demanda.
</span></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #cccccc;">En mi labor, asigno un gran valor al proceso creativo, a los materiales utilizados y al oficio que se adquiere en el hacer. Considero que estos elementos son esenciales para lograr obras significativas y auténticas.
</span></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #cccccc;"><br /></span></div><div class="separator" style="clear: both; font-weight: bold; text-align: left;"><span style="color: #cccccc;"><br /></span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;"> </span><a href="https://www.instagram.com/gisela_mardon?igsh=MWl0ZTk4MXpycGN6dQ=="><span style="color: #ffa400;">@gisela_mardon</span></a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><p></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-48408388877794627792024-01-14T19:00:00.000-08:002024-01-14T19:00:00.217-08:00<p><b><span style="color: #ff00fe;"> #vispomotion N°28 Año 2024</span></b></p><p></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/xqiQmLIGYi0" width="320" youtube-src-id="xqiQmLIGYi0"></iframe></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">"Diamond"</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">Inspired by Diamond by Armin Haab, 1961. </span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">Anna Khorash</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">2022</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc;">Anna is a graphic and type designer from Russia. She studied type and typography at the Moscow University of Printing Arts in 2018. After that she worked as a freelance graphic designer with cultural and art institutions. After graduation she worked as a type designer in Contrast Foundry. A thirst for new knowledge led her to Israel, where she delved into the study of Hebrew, Jewish culture and the development of Hebrew typefaces. In 2022, she graduated from the TypeMedia course at the Royal Academy of Arts in The Hague and started her practice as an independent type designer in the Netherlands. Today she is balancing commercial projects with her own experimental typefaces and teaching type design online. </span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.instagram.com/horashann?igsh=czAwNDI5c3Ntdm1z"><b><span style="color: #ffa400;">@horashann</span></b></a></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><br /><span style="color: #ff00fe; font-weight: bold;"><br /></span><p></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-68639858910557035682023-12-31T19:01:00.000-08:002024-01-18T08:02:21.408-08:00<p><b><span style="color: #3d85c6;">N°92 </span></b><b><span style="color: #3d85c6;">Año 2024</span></b></p><p><b><span style="color: #3d85c6;"><br /></span></b></p><p></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh483OY1GQKRQvCZtNIYCOgmnsgFNIgY7VC6z2_xNf5lHU6vVEj1O4mIICY2rSer6JzaePwGLaoB6gFITzNwW-vSMDX0L7EgYkKh4HQG6GaA3D6n37dINGUS29OH2QDcTfJePDTbbtoDrtCUimdyQSy00iaE6dsYD7H3f2Hn0HS3bzDks-zQjIGirBfhg8/s4418/Ela.Douglas%20Cortinovis.%202023.%20Brasil.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4418" data-original-width="4210" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh483OY1GQKRQvCZtNIYCOgmnsgFNIgY7VC6z2_xNf5lHU6vVEj1O4mIICY2rSer6JzaePwGLaoB6gFITzNwW-vSMDX0L7EgYkKh4HQG6GaA3D6n37dINGUS29OH2QDcTfJePDTbbtoDrtCUimdyQSy00iaE6dsYD7H3f2Hn0HS3bzDks-zQjIGirBfhg8/s320/Ela.Douglas%20Cortinovis.%202023.%20Brasil.jpg" width="305" /></a></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">"TRAVESSIA"</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">2023</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">DOUGLAS CORTINOVIS</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><span style="color: #cccccc;"><div style="text-align: center;">Artista Visual, educadora social, licenciada en psicología y posgrado en psicoanálisis. Nació en Brasil en la ciudad de São Gonçalo, pero gran parte de su vida transcurrió en las favelas de Niterói, que se convirtieron en el punto de partida de sus creaciones artísticas. Utiliza el arte digital, la pintura, la escritura y el performance como forma de expresión, un dato interesante es que produce con ambas manos porque es ambidiestro. Su principio es comprender las relaciones entre cuerpo, escritura y visualidad. Además de producir preguntas, en relación con la epistemología hegemónica, construir nuevas narrativas, palabras, nociones de mundo, que contemplen cuerpos como el suyo. Insubjeción, rechazo de lo obvio, creación de lo nuevo, son palabras clave para sus obras que desafían los discursos autoritarios, las normas y sus dispositivos de poder. Trabajó en instituciones como Parque Lage (Rio de Janeiro, BR), Casa da Escada Colorida (Rio de Janeiro, BR) y Ateliê 397 (São Paulo, BR).</div></span><span style="color: #3d85c6; font-weight: bold;"><br /></span><p></p><p style="text-align: center;"><a href="https://douglascortinovis.wordpress.com/"><b><span style="color: #ffa400;">https://douglascortinovis.wordpress.com/</span></b></a></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-89444825209788652502023-12-14T19:01:00.000-08:002023-12-14T19:01:00.267-08:00<p><b><span style="color: #ff00fe;">#vispomotion N°27</span></b></p><p><b><span style="color: #ff00fe;">Año 2023</span></b></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/QHF-gPywaFg" width="320" youtube-src-id="QHF-gPywaFg"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">"RUN"</span></b></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">2023</span></b></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">Takahiro Sawamura</span></b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">走/走る = run, 人 = man, 道 = road, 木 = tree, 歩 = walk, 犬 = dog, 車 = car, 自転車 = bicycle, 倒 = fall, 止 = stop</span></b></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;"><br /></span></b></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">Takahiro Sawamura is a poet/collage artist based in Kyoto, Japan. He self-published a collection of poems titled "Kaiten-mokuba" with two poets, Sumoguri-Shun and Mizuho Sato in 2019. Also, his works of visual (concrete) poetry were exhibited at several solo/group exhibitions in recent years. He is now pursuing poetic emotions between literature and art through his various art activities.</span></b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #ffa400;"><b>https://www.tumblr.com/blnxpc</b></span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p><br /></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-82645434526421342252023-11-30T19:30:00.000-08:002023-11-30T19:30:00.157-08:00<p><b><span style="color: #3d85c6;">N°91 </span></b><b><span style="color: #3d85c6;">Año 2023</span></b></p><p><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib6pIdZ05ZeZ1wpASKpMGKOl2-E5JAK4yfeDRpue3NqkXgIor6yIjkZeF2-j_RGeQJVNaQhcqt2qUhNqfXfIzXxOqPgl3OTNNJLhMNytVLd4IpZlFrhoZLD7ojx3N8gDRhM5_edve6oUM_kg9D4y3EOG_EF30tgTf0mg9ymi3AplmN3WQFor-ROnpxvtY/s1442/Screenshot_20231129-225443_Gmail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1442" data-original-width="1071" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib6pIdZ05ZeZ1wpASKpMGKOl2-E5JAK4yfeDRpue3NqkXgIor6yIjkZeF2-j_RGeQJVNaQhcqt2qUhNqfXfIzXxOqPgl3OTNNJLhMNytVLd4IpZlFrhoZLD7ojx3N8gDRhM5_edve6oUM_kg9D4y3EOG_EF30tgTf0mg9ymi3AplmN3WQFor-ROnpxvtY/s320/Screenshot_20231129-225443_Gmail.jpg" width="238" /></a></b></div><p></p><p style="text-align: center;"><b><span style="color: #cccccc;">"Re paro"</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">2020</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">María Paula Doberti</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;"><br /></span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">Soy artista visual y docente, argentina. Doy clases en la UBA y en la UNA. En mi práctica artística trabajo desde distintas materialidades (dibujos, collage, libros de artista, objetos, instalaciones, performance). Tanto en mi obra personal, como en los distintos colectivos que integro (M.O.C, G.R.A.S.A, Dibujos Urgentes, Río Memoria, la Compañía de Funciones Patrióticas) abordo ejes como memoria, territorio y cuerpo. </span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">Me interesa en particular investigar acerca de las relaciones entre la Memoria y la Identidad, así con mayúscula. Trabajo desde la indagación, la pregunta y la recuperación.</span></b></p><p></p><p style="text-align: center;"><b><span style="color: #cccccc;">Mi campo de obra abarca también el arte urbano y político, utilizando como soporte la calle y la investigación, en obras y textos que bucean en diversos territorios de la memoria.</span></b></p><div style="text-align: center;"><span style="color: #ffa400;"><b>mpdoberti@gmail.com</b></span></div>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-81027387059310111902023-11-15T06:49:00.001-08:002023-11-15T06:49:00.141-08:00<p><b><span style="color: #ff00fe;">#vispomotion N°26</span></b></p><p><b><span style="color: #ff00fe;">Año 2023</span></b></p><p></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/yYNp_bqsBMM" width="320" youtube-src-id="yYNp_bqsBMM"></iframe></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">"El NO"</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">Leopoldo Leal</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;">2018</span></div><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc;">Leopoldo Leal holds a Ph.D. in design from FAUUSP, postgraduation in Type design at Type West and Plantin-Moretus. He taches design at ESPM. In over 20 years of experience, he has worked as a designer at Landor, Interbrand, Futurebrand and GAD ’Branding. His book Processo de criação em design gráfico: Pandemonium, is a result of his Ph.D. dissertation which was awarded in 1st place at the “Museu da Casa Brasileira” , Type Directors Club, Brasil Design Award 2020 and LAD Awards.</span></div><a href="http://www.pandemoniumtype.com"><span style="color: #ffa400;"><b>http://www.pandemoniumtype.com</b></span></a><br /><div style="text-align: center;"><span style="color: #ff00fe;"><br /></span></div><p></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-27265961491108387632023-10-31T20:54:00.007-07:002023-10-31T20:54:00.154-07:00<p> <b><span style="color: #3d85c6;">N°90 Año 2023</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxqFmj1KhRu-P8w8UCAy0Donhvg5bf6NzheXK742bLppg1f9aY8JamfKwah9_eL5iRUqIuWwlm-nt0pPbmFhkceai0DYejr8SpvmR8SZh4Hb2fAbSRuHpW4V2sp4HHIiXNYKFa3OCF_8n8xkWb1xy302hqCs-RGKziCtJLrXGNTt4uuAyQet6Myf8Gy0c/s1890/NN%202023.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1658" data-original-width="1890" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxqFmj1KhRu-P8w8UCAy0Donhvg5bf6NzheXK742bLppg1f9aY8JamfKwah9_eL5iRUqIuWwlm-nt0pPbmFhkceai0DYejr8SpvmR8SZh4Hb2fAbSRuHpW4V2sp4HHIiXNYKFa3OCF_8n8xkWb1xy302hqCs-RGKziCtJLrXGNTt4uuAyQet6Myf8Gy0c/s320/NN%202023.jpg" width="320" /></a></div><br /><p style="text-align: center;"><b>"<span style="color: #999999;">NN"</span></b></p><p style="text-align: center;"><b><span style="color: #999999;">Gabi Alonso</span></b></p><p style="text-align: center;"><b><span style="color: #999999;">2023</span></b></p><p style="text-align: center;"><span style="color: #999999;">"TODO ARTE ES POLÍTICO"</span></p><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;">Gabi Alonso - Quilmes - Buenos Aires - Argentina</span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;">Las producciones habitualmente son el resultado de convivencias en diversas comunidades con las que trabajo, me interesa rescatar memorias, saberes y poesías urbanas.</span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;">Profesora superior en artes visuales, gestora cultural, coordiné diversos eventos y laboratorios en el arte de performance entre ellos “Zonadeartenaccion” festival internacional de arte acción en Buenos Aires, “Poeticas del espacio” Buenos Aires, co coordinadora de Poéticas del tiempo, Montevideo Uruguay, Poéticas del cuerpo, San Pablo Brasil, Poéticas del sonido, Belo Horizonte.</span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;">Docente.</span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;">En la actualidad me encuentro a cargo de la Dirección General de Museos, Patrimonio e identidad Territorial del municipio de Quilmes, ciudad en la que nací y vivo.</span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;">Participe en las siguientes publicaciones:</span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;">Geifco espacio de investigación de arte contemporáneo, Barcelona Revisa Digital Boeck, Scaner Cultural, Chile, Libro Art Week Venice de la Bienal Internacional de Performance, Venecia.</span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;">Exposiciones colectivas e individuales :</span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;"><br /></span></div><div style="text-align: center;"><span style="color: #999999;">Le Lieu, Centro de arte actual en Quebec, Canadá - Concentrado de Performance en Montevideo, Uruguay - Intercambio Argentina Japón en Buenos Aires y Montevideo - DEFORMES Bienal de performance en Chile - Al Zurich, Proyecto de arte urbano en Quito, Ecuador - CLOSE UP, festival internacional de video performance en México - Cínica en Artist Inc Hamilton Canadá - Evento FADO Toronto y Montreal, Canadá - LA CENTRALE en Quebec, Canadá - Independence Do, Plataforma de Performance, Republica Dominicana - Pparalelo San Pablo, Brasil - Festival internacional de Videopoesía Videobardo, Argentina - Venice International Performance Art Week Venecia - ATAL Residencia Artística, San Pablo Brasil - Bienal San Pablo en el marco del Perpendicular, Bienal de performance - Muestra latinoamericana de performances e intervenciones urbanas, Salvador de Bahía Brasil - AC+C . Chile, primer Laboratorio internacional de Arte Acción y Comunidad - Campo de acción, Montevideo, Uruguay - Two-Way Mirror - Exhibición de fotografías de performance art. Singapur - Seleccionada en la Bienal de Venezuela 2022.</span></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="https://gabialonsoblog.wordpress.com/" target="_blank"><b><span style="color: #ffa400;">https://gabialonsoblog.wordpress.com/</span></b></a><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-26354599385569392472023-10-15T07:06:00.003-07:002023-10-15T07:06:45.076-07:00<p><b><span style="color: #ff00fe;">#vispomotion N°25</span></b></p><p><b><span style="color: #ff00fe;">AÑO 2023</span></b></p><p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/8hfcFp46FjA" width="320" youtube-src-id="8hfcFp46FjA"></iframe></div><br /><div style="text-align: center;"><span style="font-weight: 700;">Paul Prudence is a writer and artist. His essays have been featured in Reliquiae, Substance and Holo, he is also regular contributor to Neural Mag. His audio-visual work has been exhibited and performed internationally at intermedia arts festivals.</span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;">Social Web: Instagram, Vimeo, Twitter, Flickr, Soundcloud</span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;">HEN: hen.link/mrprudence</span></div><div style="text-align: center;"><span style="font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;">Blog: <span style="color: #ffa400;"><a href="http://www.paulprudence.com">www.paulprudence.com</a></span></span></div><p></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-86872404426963183072023-09-30T20:00:00.001-07:002023-12-26T11:52:30.076-08:00<div style="text-align: left;"><b><span style="color: #0b5394;"> N°89 Año 2023</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaNWnFFOQgmfcPctRvlTtjvanCn1685qNmSuWH9QwztgwuT7C7yu0EGvhIP36FWo-7K85J0mT8CCml7VVK6EtvYCe5rcOo1MG2LvbqIAPjzUJg3-MgtTO6gi4FbQFJZT9OlddNVKW5gBLJcqCWsrLCBTj3bZsLObw-dv2yok8xgasU-WcV0rhtIGFYIhQ/s1890/ISRS%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1890" data-original-width="1890" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaNWnFFOQgmfcPctRvlTtjvanCn1685qNmSuWH9QwztgwuT7C7yu0EGvhIP36FWo-7K85J0mT8CCml7VVK6EtvYCe5rcOo1MG2LvbqIAPjzUJg3-MgtTO6gi4FbQFJZT9OlddNVKW5gBLJcqCWsrLCBTj3bZsLObw-dv2yok8xgasU-WcV0rhtIGFYIhQ/s320/ISRS%201.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc; font-family: georgia;"><span style="background-color: white; font-size: 14.6667px;"><b>ISRS</b></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc; font-family: georgia;"><span style="background-color: white; font-size: 14.6667px;"><b>Marlene Ayala</b></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc; font-family: georgia;"><span style="background-color: white; font-size: 14.6667px;"><b>2023</b></span></span></div><div class="separator" style="clear: both; text-align: start;"><span style="color: #cccccc; font-family: georgia;"><span style="background-color: white; font-size: 14.6667px;"><b><br /></b></span></span></div><div class="separator" style="clear: both; text-align: start;"><span style="color: #cccccc; font-family: georgia;"><span style="background-color: white; font-size: 14.6667px;"><b>ISRS (por Inhibidores Selectivos de la Recaptación de la Serotonina) es una serie de poemas visuales que exploran los pensamientos intrusivos asociados con la ansiedad y la depresión. Utilizando la codificación en p5.js (processing), estos poemas tipográficos se construyen mediante espirógrafos y poemas generativos, que colocan texto y agregan pequeñas variaciones según instrucciones precisas.</b></span></span></div><div class="separator" style="clear: both; text-align: start;"><span style="color: #cccccc; font-family: georgia;"><span style="background-color: white; font-size: 14.6667px;"><b><br /></b></span></span></div><div class="separator" style="clear: both; text-align: start;"><span style="color: #cccccc; font-family: georgia;"><span style="background-color: white; font-size: 14.6667px;"><b><br /></b></span></span></div><div class="separator" style="clear: both; text-align: start;"><span style="color: #cccccc; font-family: georgia;"><span style="background-color: white; font-size: 14.6667px;"><b>La técnica utilizada en la codificación de estos poemas refleja el carácter impredecible y caótico de los pensamientos intrusivos. Las variaciones introducidas en cada iteración generan composiciones visuales únicas que capturan la volatilidad emocional asociada con estas condiciones.</b></span></span></div><div class="separator" style="clear: both; text-align: start;"><span style="color: #cccccc; font-family: georgia;"><span style="background-color: white; font-size: 14.6667px;"><b><br /></b></span></span></div><div class="separator" style="clear: both; text-align: start;"><b style="color: #cccccc; font-family: georgia; font-size: 14.6667px;">Marlene Ayala (Buenos Aires, Argentina, 1991) Reside actualmente en la Provincia de San Luis. Es poeta, artista visual, editora y diseñadora en Perniciosa Editorial. En 2017 fue seleccionada para participar de la primera residencia del Festival Internacional de Poesía de Rosario. Es autora del libro "Family Game" (Perniciosa Ediciones, 2016 y reeditado por la Editorial digital Matrerita en el año 2020 en formato Ebook y por la editorial mexicana MalViaje en 2023), "Macumbita" (Matrerita, 2021), el fanzine de poesía visual "Esta historia no está disponible" (Perniciosa Ediciones, 2023). En el año 2023 fue una de las ganadoras en la convocatoria de poesía en voz alta para el festival Poesía Ya! En cuanto a su trabajo como poeta digital ha publicado el libro para historias de instagram “Sad trash”(2023) y la muestra de poesía glitch “Consumo Consumación” (2021) que utiliza códigos QR.</b></div></div><div class="separator" style="clear: both; text-align: center;"><p dir="ltr" style="background-color: white; color: #222222; font-size: small; line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;"><span style="background-color: transparent; color: black; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span style="font-family: georgia;"><span style="background-color: transparent; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><br /></span></span></span></p><p dir="ltr" style="background-color: white; font-size: small; line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: center;"><span style="background-color: transparent; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><a data-saferedirecturl="https://www.google.com/url?q=https://linktr.ee/MarleneFont&source=gmail&ust=1695679952759000&usg=AOvVaw2mpriSx9OQyKKnHPXKAKE5" href="https://linktr.ee/MarleneFont" style="font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: start;" target="_blank"><span style="background-color: transparent; font-family: "Times New Roman"; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span style="color: #1155cc;"><b> https://linktr.ee/MarleneFont</b></span></span></a></span></p><p dir="ltr" style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;"><span style="background-color: transparent; color: black; font-family: "Times New Roman"; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span style="background-color: transparent; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><br /></span></span></p><p dir="ltr" style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;"><span style="background-color: transparent; color: black; font-family: "Times New Roman"; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span style="background-color: transparent; font-size: 11pt; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><br /></span></span></p></div><br /><p><br /></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-42407706340835699302023-09-14T20:40:00.001-07:002023-09-14T20:40:00.142-07:00<p><b><span style="color: #ff00fe;">#vispomotion N°24</span></b></p><p><b><span style="color: #ff00fe;">Año 2023</span></b></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/PqMjNKlKdlc" width="320" youtube-src-id="PqMjNKlKdlc"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">"U ME"</div><div class="separator" style="clear: both; text-align: center;">Vera van de Seyp</div><div class="separator" style="clear: both; text-align: center;">2023</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Vera van de Seyp (NL) es diseñadora y educadora computacional. Su trabajo explora sistemas de diseño, inteligencia artificial, lenguajes y sistemas de búsqueda en</div><div class="separator" style="clear: both; text-align: center;">caos. Enseña e imparte talleres y conferencias para ayudar a los creadores a codificar y desarrollar sus propias herramientas de diseño. Actualmente, Vera forma parte del MIT Media Lab como asistente de investigación en el grupo Future Sketches.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #ffa400;">veravandeseyp.com</span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #ffa400;">instagram.com/veravandeseyp</span></div><br /><p><br /></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-22717395757443471092023-08-31T20:00:00.002-07:002023-09-01T09:12:45.451-07:00<p> <b><span style="color: #3d85c6;">N°88 Año </span><span style="color: #6fa8dc;">2023</span></b></p><p></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLw9oS6I7NlyADPzzltZoK1R5PTJl2ZfaceX02nYfxfUUNLL8o8nojuwAbTpOyaxMMi9FxJX2W6_n3Jm7A8xdRRzY71DNV3_m-3zjsqWFbNiwAGvrFcfiBeSqKmhPtij_E-pmyBdg72lVxp1P4vyczVWo4zMuSY47IkSfdZzBOfMHdVRoky-YS5FNT8vo/s2828/8.%20Nonas%201.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="color: #cccccc;"><img border="0" data-original-height="2828" data-original-width="2826" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLw9oS6I7NlyADPzzltZoK1R5PTJl2ZfaceX02nYfxfUUNLL8o8nojuwAbTpOyaxMMi9FxJX2W6_n3Jm7A8xdRRzY71DNV3_m-3zjsqWFbNiwAGvrFcfiBeSqKmhPtij_E-pmyBdg72lVxp1P4vyczVWo4zMuSY47IkSfdZzBOfMHdVRoky-YS5FNT8vo/s320/8.%20Nonas%201.jpg" width="320" /></span></a></div><span style="color: #cccccc;"><br /></span><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="text-align: center;"><span style="font-weight: 700;"><span style="color: #cccccc;"><br /></span></span></div><div style="font-weight: 700; text-align: center;"><span style="color: #cccccc;">"Nonas 1"</span></div><div style="font-weight: 700; text-align: center;"><span style="color: #cccccc;">2023</span></div><div style="font-weight: 700; text-align: center;"><span style="color: #cccccc;">Kevin Stebner</span></div><div style="font-weight: 700; text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="font-weight: 700; text-align: center;"><span style="color: #cccccc;">Kevin Stebner is a multi-disciplinary writer, musician, visual and installation artist from Calgary, Alberta, Canada.</span></div><div style="font-weight: 700; text-align: center;"><span style="color: #cccccc;"> </span></div><div style="font-weight: 700; text-align: center;"><span style="color: #cccccc;">Through a dedication to DIY in all its forms, at one point dubbed by Vice as "Calgary's Hardest Working Musician," Stebner has released dozens of albums and toured across Canada multiple times with myriad of projects, notably Stalwart Sons, Cold Water, GreyScreen, and Prepared. Ever active, post-hardcore band Fulfilment have dropped their first album "10 Colours" in 2022. alt-country band Cold Water have just released their second album "Instead I am a Golden Oriole" (2023). Throughout the pandemic he has dedicated the time focused on preparing his first novel, No Thing but Nothing. Stebner has been delving into the world of concrete poetry in various forms, largely utilizing typewriters, the result of which has been an astounding array of nearly typewritten visual poems, many of which are appearing in chapbooks and publications (recently from Blasted Tree, NonPlusUltra, No Press & Timglaset). He is also the proprietor of Calgary's best bookstore that's in a shed, Shed Books.</span></div><div style="font-weight: 700; text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="font-weight: 700; text-align: center;"><span style="color: #ffa400;">kevinstebner.com</span></div><div style="font-weight: 700; text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="font-weight: 700; text-align: center;"><span style="color: #cccccc;"><br /></span></div><p></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-20756385676357040882023-08-14T20:01:00.007-07:002023-08-14T20:01:00.145-07:00<p><b><span style="color: #ff00fe;"> #vispomotion N°23</span></b></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/tLzYaxtrfxI" width="320" youtube-src-id="tLzYaxtrfxI"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">[local_distante] (fragmentos)</span></b></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">Martin Rangel</span></b></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">2023</span></b></div><span style="color: #cccccc;"><br /></span><p style="text-align: center;"><span style="color: #cccccc;">Martín Rangel Noguez (Pachuca, México, 1994) es poeta, editor y net-artist. Autor de los libros de poesía ROJO (2013), El rugido leve: las canciones de Ryan Karazija (CECULTAH, 2015), emoji de algo muerto (Malos Pasos, 2015), delirioamateur (Niño Down Editorial, 2016), al margen del mundo (Tiempo-que-resta Ediciones, 2017), Luna Hiena (ABLUCIONISTAS, 2020), bisiesto (Editorial Matrerita, 2021) y sometimes I write poems and sometimes I write poems (Trad. Lawrence Schimel, Broken Sleep Books, 2021). Ha producido las piezas de literatura electrónica SOY UNA MÁQUINA Y NO PUEDO OLVIDAR (Centro de Cultura Digital, 2017), heart of ice (HYPERPOESÍA, 2021), Trabajo Textual (Museo de Arte Contemporáneo de Hidalgo, 2021) y [error] (Centro TOPO de Montreal / Centro de Cultura Digital / andamio.in / Ministerio de Relaciones Exteriores y la Francofonía de Quebec, 2023). Dirige Libros Malviaje, proyecto de curaduría y producción editorial. </span></p><div class="quoted-text" style="color: #500050; font-family: sans-serif; font-size: 12.8px;"><p style="color: black; font-family: Didot; font-size: 12px; font-stretch: normal; line-height: normal; margin: 0px 0px 12px; text-align: justify;"><br /></p></div><p style="font-family: Didot; font-stretch: normal; line-height: normal; margin: 0px 0px 12px; text-align: center;"><b><span style="color: #ffa400;">1. <a data-saferedirecturl="https://www.google.com/url?q=https://www.instagram.com/martinrangel/&source=gmail&ust=1686537921536000&usg=AOvVaw2gmv5zTXD1dL4XAU5xblDy" href="https://www.instagram.com/martinrangel/" rel="noreferrer" style="text-decoration-line: none;" target="_blank">https://www.instagram.com/<wbr></wbr>martinrangel/</a></span></b></p><p style="font-family: Didot; font-stretch: normal; line-height: normal; margin: 0px 0px 12px; text-align: center;"><b><span style="color: #ffa400;">2. <a data-saferedirecturl="https://www.google.com/url?q=https://www.tiktok.com/@wrongkawaii&source=gmail&ust=1686537921536000&usg=AOvVaw1Ilezqn44xTAd17jQ08Fhl" href="https://www.tiktok.com/@wrongkawaii" rel="noreferrer" style="text-decoration-line: none;" target="_blank">https://www.tiktok.com/@<wbr></wbr>wrongkawaii</a></span></b></p><p style="font-family: Didot; font-stretch: normal; line-height: normal; margin: 0px 0px 12px; text-align: center;"><b><span style="color: #ffa400;">3. <a data-saferedirecturl="https://www.google.com/url?q=https://www.tiktok.com/@ignorancia_sofisticada&source=gmail&ust=1686537921536000&usg=AOvVaw0tQGI1o9IucD2_Xo1rkJ43" href="https://www.tiktok.com/@ignorancia_sofisticada" rel="noreferrer" style="text-decoration-line: none;" target="_blank">https://www.tiktok.com/@<wbr></wbr>ignorancia_sofisticada</a></span></b></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-9695061328388038422023-08-08T15:45:00.002-07:002023-12-20T15:13:16.215-08:00Convocatoria Internacional de Poesía Visual "#2084 Futuros Imaginados"<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCL1jmdy2tviqph1m_2YAMTjiB-q7_JF9C9qMkpC_Qtan4zLRMBmkXeytIRY4GpJauAFR7KDyfXLRM8Ptw2Iyfg6MuHqkLDt697Bv7wOJoc4-RcnDrDrKOuryMUWFSbOrCmhN9tCEsDiBpCUJTmzU7uTkQs-EVH1iBF4Uc1h55Z6XA_W2hU-iWIhuQAn8/s1280/IMG-20230630-WA0014.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCL1jmdy2tviqph1m_2YAMTjiB-q7_JF9C9qMkpC_Qtan4zLRMBmkXeytIRY4GpJauAFR7KDyfXLRM8Ptw2Iyfg6MuHqkLDt697Bv7wOJoc4-RcnDrDrKOuryMUWFSbOrCmhN9tCEsDiBpCUJTmzU7uTkQs-EVH1iBF4Uc1h55Z6XA_W2hU-iWIhuQAn8/s320/IMG-20230630-WA0014.jpg" width="256" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjexZtngE2I7kXxBw8rkie7XlV8aGvOyQIxngdngSLYLlNdJ1BRgzHXfMV3TaLnXgf70v9jYYyZWWLswx9EK0wMNS3Qbs50eypOW-OJOnFqLMuWPwHf2RcCAtiHSLBLdIW3Dimg4_7Wu3FH9Cxdkn49filO1M9oQuuuFxb-_udOjT8XpwN3tWKsOI3fSRE/s1280/IMG-20230630-WA0013.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjexZtngE2I7kXxBw8rkie7XlV8aGvOyQIxngdngSLYLlNdJ1BRgzHXfMV3TaLnXgf70v9jYYyZWWLswx9EK0wMNS3Qbs50eypOW-OJOnFqLMuWPwHf2RcCAtiHSLBLdIW3Dimg4_7Wu3FH9Cxdkn49filO1M9oQuuuFxb-_udOjT8XpwN3tWKsOI3fSRE/s320/IMG-20230630-WA0013.jpg" width="256" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4GgjOoOz8IMcZcBSfrMASGn_U7b_VaqSpiFXkK4kEWQZFs4nPgMahGasrx4IEuRnffi-aDydRvW5jiBETDB0xQQtwE1ALy3H125dWgOo6ChNUYyywH3Ey9EFaOPkd9BSwUJoeSgClZI1K8BDmZhEv7GpeYIdB6OK2dnDY0fz9M9KXiNsIC5mnfMh0GGw/s1280/IMG-20230630-WA0012.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4GgjOoOz8IMcZcBSfrMASGn_U7b_VaqSpiFXkK4kEWQZFs4nPgMahGasrx4IEuRnffi-aDydRvW5jiBETDB0xQQtwE1ALy3H125dWgOo6ChNUYyywH3Ey9EFaOPkd9BSwUJoeSgClZI1K8BDmZhEv7GpeYIdB6OK2dnDY0fz9M9KXiNsIC5mnfMh0GGw/s320/IMG-20230630-WA0012.jpg" width="256" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-MZisG3l9rjvEcmddROWJLnc61_jWeboGuewWoo20q-BZ8Eh2xrLzMX2eAt7uMdePnYYx3bevUMNxVxARt4Sn5Zg5H9WnTJUBSkzhpbMBUeWBFCgYl7TgpxhkxzA7zHlK2dHAZVCzXQ62svIz6EHJfAaTwtkJL48bNQ6NN-AJDJNtSWXH6s9GpK8gSMk/s1280/IMG-20230607-WA0011.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-MZisG3l9rjvEcmddROWJLnc61_jWeboGuewWoo20q-BZ8Eh2xrLzMX2eAt7uMdePnYYx3bevUMNxVxARt4Sn5Zg5H9WnTJUBSkzhpbMBUeWBFCgYl7TgpxhkxzA7zHlK2dHAZVCzXQ62svIz6EHJfAaTwtkJL48bNQ6NN-AJDJNtSWXH6s9GpK8gSMk/s320/IMG-20230607-WA0011.jpg" width="256" /></a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;">📣 CONVOCATORIA INTERNACIONAL DE POESÍA VISUAL </div><div class="separator" style="clear: both;">#2084 FUTUROS IMAGINADOS </div><div class="separator" style="clear: both;">.</div><div class="separator" style="clear: both;">Adéntrate en el reino de la imaginación y emprende un viaje al año 2084 con el programa "2084 Futuros Imaginados desde el Sur" y AURA Poesía Visual.</div><div class="separator" style="clear: both;">.</div><div class="separator" style="clear: both;">Te invitamos cordialmente a participar en nuestra convocatoria internacional de poesía visual, donde la creatividad no tiene límites.</div><div class="separator" style="clear: both;">.</div><div class="separator" style="clear: both;">🌍 Sobre esta convocatoria: Imagina y envíanos tus creaciones de "poesía visual" desde el futuro hacia nuestro presente. Ha llegado el momento de ocupar el futuro y permitir que tu visión artística moldee el mundo por venir. Todxs juntxs, podemos transformar los sueños en realidad.</div><div class="separator" style="clear: both;">.</div><div class="separator" style="clear: both;">� Fecha límite: 30 de septiembre de 2023</div><div class="separator" style="clear: both;">* Tamaño: 15 x 15 cm / JPG / 300 dpi </div><div class="separator" style="clear: both;">* Cantidad: 1 obra por persona</div><div class="separator" style="clear: both;">* Técnica: Libre (analógica y/o digital). * Blanco y negro con escala de grises.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">* Opcional: Incluir un breve texto conceptual.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">📧Envía tu participación a: aurafuturos@gmail.com </div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">✍️ Por favor, identifica tus archivos JPG con tu nombre como autor y nacionalidad.</div><div class="separator" style="clear: both;">🌐 Indica tus redes sociales: Instagram, Facebook.</div><div class="separator" style="clear: both;">.</div><div class="separator" style="clear: both;">📢 Todas las participaciones se exhibirán en nuestros canales.</div><div class="separator" style="clear: both;">.</div><div class="separator" style="clear: both;">🌟 Organizado por: AURA Poesía Visual @aurapoesiavisual ; 2084 Futuros Imaginados desde el Sur @2084futurosimaginados ; Dirección de Programas Internacionales, Facultad de Arquitectura, Diseño y Urbanismo, Universidad de Buenos Aires (FADU UBA) @faducomunica ; y Observatorio Latino Americano OLA, The New School @olanewschool</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">🖌️ <b>Sobre la Poesía Visual</b>: La poesía visual es una forma experimental en la que la imagen, se combina con la tipografía (letras, números, símbolos, escritura asémica, poesía concreta, etc) y juntos transmiten una idea, un concepto.</div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Compartimos los trabajos publicados:</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/giu4nv8RXWk" width="320" youtube-src-id="giu4nv8RXWk"></iframe></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-46895528449174965372023-07-31T21:00:00.035-07:002023-07-31T21:00:00.161-07:00<p> <b><span style="color: #3d85c6;">N°87 Año 2023</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2uP1NRP3ZWXomkx_KtfL0pAcNtFt-DAg_Nhf4B9i30feXF9PhXJmy97rb4jq99vfBM0yPxfT2kO_xVYRQlp9FDB7YAqKT3R6ADy6itwCmzjUEXEKOjZ_1tKOn1ulmyQsS7pGPbELnsIgI0t5rAnmoUGTtpGXetbW0ED0p_a7N4Lig32C0xLdr1zwSYC8/s1772/QR%20en%20QR1_FD.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1772" data-original-width="1772" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2uP1NRP3ZWXomkx_KtfL0pAcNtFt-DAg_Nhf4B9i30feXF9PhXJmy97rb4jq99vfBM0yPxfT2kO_xVYRQlp9FDB7YAqKT3R6ADy6itwCmzjUEXEKOjZ_1tKOn1ulmyQsS7pGPbELnsIgI0t5rAnmoUGTtpGXetbW0ED0p_a7N4Lig32C0xLdr1zwSYC8/s320/QR%20en%20QR1_FD.jpg" width="320" /></a></b></div><b><br /></b><p></p><br /><div style="text-align: center;"><b><span style="color: #cccccc;"><br /></span></b></div><div style="text-align: center;"><span style="text-align: left;"><span style="color: #cccccc;"><b>"QR en-in QR"</b></span></span></div><div style="text-align: center;"><span style="text-align: left;"><span style="color: #cccccc;"><div style="font-weight: bold; text-align: center;">(Código encerrado en código)</div><div style="font-weight: bold; text-align: center;"><br /></div><div style="text-align: center;">A TODO o NADA</div><div style="text-align: center;">Arsenicales huellas calza tu coneja\ cuando la codiacal murisma \ superfluamente clavícula \</div><div style="text-align: center;">Aspersiones pretensan canibalas de Madero cronopuerto \ Orzomujo de planicie calvicia talla \</div><div style="text-align: center;">Parénquima esquizoidea subreptiza co-roja JMCalleja \ olala pisingalla TODO solenoidica \</div><div style="text-align: center;">En brisasbrasas rasputinescas trotescas colosalamente ondiNADAs</div></span></span></div><div style="text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="text-align: center;"><span style="color: #cccccc;"><b>2019</b></span></div><div style="text-align: center;"><span style="color: #cccccc;"><b>Fabio Doctorovich</b></span></div><div style="text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="text-align: center;"><span><div style="color: #cccccc;">Cofundador de Paralengua, movimiento de poesía experimental de Argentina (1989-1998).</div><div style="color: #cccccc;">Performances: Auch-Bits y Poesía Sonora, Gestual e Hipertextual para Armar y/o Realizar.</div><div style="color: #cccccc;">Editor de Postypographika: (postypographika.ar y Wordpress). Publicó en la web: Abyssmo,</div><div style="color: #cccccc;">1997; 9MeneM9, 1998, Lux Perpetua, 2000, y otros. Experimentos con Google Translator</div><div style="color: #cccccc;">(2013), poesía experimental colaborativa (2016). Animaciones 2D / 3D: Rotations/Chatgattcat</div><div style="color: #cccccc;">(1994), ASWTZ (1998). Scriptum Lux: grabaciones de computadora de performances en vivo, E-</div><div style="color: #cccccc;">Poetry (2015) y Poetics Oblique, Espacio de Arte Fundación OSDE (2016). Videopoemas</div><div style="color: #cccccc;">(YouTube): Argentina 2 Francia 1, Machu Picchu QR, 15 Millones de Pobres objetos, La Primera</div><div style="color: #cccccc;">Grieta, La Década Infame QR, TVono TV, y otros. Libros : POL! V%? 0 (1988); Tierra de</div><div style="color: #cccccc;">Malandras (1994); Bribage Cartooniano (1994); Bsz Asz (2005), Transductiones (2016), y</div><div style="color: #cccccc;">Química Léxica (2022). Numerosos trabajos publicados en antologías. Autor de El Punto Ciego (The Blind Spot. Anthology of Argentine Visual Poetry: from 7000 BC to the Third Millennium),</div><div style="color: #cccccc;">SDSU Press (2016).</div><div style="color: #cccccc; font-weight: bold;"><br /></div><div><b><a href="https://postypographika.ar/"><span style="color: #ffa400;">https://postypographika.ar/</span></a></b></div><div><br /></div><div style="color: #cccccc; font-weight: bold;"><br /></div></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><b><br /></b></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><b><br /></b></span></div><p></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-7927155596386632422023-07-14T21:00:00.001-07:002023-07-14T21:00:00.141-07:00<p> <b><span style="color: #ff00fe;">#vispomotion N°22</span></b></p><p></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/V-NeM9i2ibc" width="320" youtube-src-id="V-NeM9i2ibc"></iframe></div><br /><div style="text-align: center;"><b><span style="color: #cccccc;">"Elogio de la pereza"</span></b></div><div style="text-align: center;"><b><span style="color: #cccccc;">2023</span></b></div><div style="text-align: center;"><b><span style="color: #cccccc;">Borja Holke</span></b></div><div style="text-align: center;"><span style="color: #ff00fe; font-weight: 700;"><br /></span></div><div style="text-align: center;"><span style="color: #cccccc;">Borja Holke (Holke79) es un diseñador gráfico y animador especializado en el trabajo tipográfico relacionado muchas veces con la propia semántica.</span></div><div style="text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="text-align: center;"><span style="color: #cccccc;">Nacido en 1979 en San Sebastián ha desarrollado su carrera en Madrid trabajando en múltiples estudios de diseño gráfico, televisiones o agencias de branding y publicidad.</span></div><div style="text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="text-align: center;"><span style="color: #cccccc;">Actualmente trabaja como freelance simultaneando su proyectos personales con los comerciales.</span></div><div style="text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="text-align: center;"><a href="https://instagram.com/holke79?igshid=MzRlODBiNWFlZA==" target="_blank"><b><span style="color: #ffa400;">Holke79</span></b></a><br /></div><p></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-45811969146983098462023-06-30T20:20:00.006-07:002023-06-30T20:20:00.164-07:00<p> <b><span style="color: #3d85c6;">N°86 Año 2023</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc5QydYXEyaLxQxgl2qWC1gpfFYbuooTIlgiAZKJu2Udxso_f6divVI_ywgPUDSn1l2rDIbCK505IYK4Akq45k9pUA_nHgdOiqyzkGk33k30jAQCUBRQ87E8SEOk7VqnIViADGcVWvZimLSTlFIYtncd8KQC4atkMfl8v8641uprxhhBBOh-7QDMc0M3Y/s1890/Prisioner%20-%202023.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1890" data-original-width="1890" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc5QydYXEyaLxQxgl2qWC1gpfFYbuooTIlgiAZKJu2Udxso_f6divVI_ywgPUDSn1l2rDIbCK505IYK4Akq45k9pUA_nHgdOiqyzkGk33k30jAQCUBRQ87E8SEOk7VqnIViADGcVWvZimLSTlFIYtncd8KQC4atkMfl8v8641uprxhhBBOh-7QDMc0M3Y/s320/Prisioner%20-%202023.jpg" width="320" /></a></div><br /><p style="text-align: center;"><span style="color: #cccccc;"><b>"Prisioner"</b></span></p><p style="text-align: center;"><span style="color: #cccccc;"><b>2023</b></span></p><p style="text-align: center;"><span style="color: #cccccc;"><b>Hércules S. Trigo</b></span></p><p style="text-align: center;"><span style="color: #cccccc;"><br /></span></p><p style="text-align: center;"><span style="color: #cccccc;">Meu nome é Hércules Santos Trigo, sou brasileiro, artista plástico e design gráfico. Venho relizando trabalhos na area gráfica com pitadas artísticas.</span></p><p style="text-align: center;"><span style="color: #cccccc;">Desde a época de faculdade eu gosto de misturar os typos e a figura humana em especial. Já trabalhei em algumas revistas publicando meus trabalhos e jornais como diretor de arte.</span></p><p style="text-align: center;"><span style="color: #cccccc;">Minha formação acadêmica começa em 2000 com a faculdade de artes plásticas, segui com a arte em especial a pintura a óleo realizando algumas exposições com alguns amigos de faculdade. Já no Design Gráfico, migrei minhas técnicas para o mundo digital, no qual me deu novas ferramentas e novas possibilidades. </span></p><div style="text-align: center;"><a href="https://instagram.com/hstrigo?igshid=MjAxZDBhZDhlNA==" target="_blank"><b><span style="color: #ffa400;">hstrigo</span></b></a></div>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-16878594461355076452023-06-14T20:00:00.000-07:002023-06-15T05:29:46.504-07:00<p><span style="color: #ff00fe;"><b>#vispomotion N°21</b></span></p><p><span style="color: #ff00fe;"><b>Año 2023</b></span></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/nK2de5M6LUQ" width="320" youtube-src-id="nK2de5M6LUQ"></iframe></div><br /><p style="text-align: center;"><b><span style="color: #cccccc;">"Move Type Work Shop "</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">Lucas Hesse</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">2023</span></b></p><p style="text-align: center;"><span style="color: #cccccc;"><br /></span></p><p style="text-align: center;"><span style="color: #cccccc;">Lucas Hesse is a graphic & motion designer based in Hamburg, Germany. He is working in the field of visual communication with a strong focus on typography and motion design. Working as an independent graphic & motion designer since 2016, he has been able to work for well-known, international clients. »My work is built very systematically, I break down the content into its simplest form and put it in a graphic system that’s as straightforward as possible.« This is seen in the designer’s Swiss-inspired work that focuses on grid-based simplicity which offers the viewer an obtainable clarity. During his studies in Mainz, he spent a semester abroad in Seoul, joined a course at the HfG in Offenbach under the direction of Eike König and gained experience trough an internship at Studio Dumbar in Rotterdam.</span></p><p style="text-align: center;"><br /></p><p style="text-align: center;"><a href="https://www.instagram.com/_hesselucas/"><span style="color: #ffa400;"><b>https://www.instagram.com/_hesselucas/</b></span></a></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-23126988363719473942023-05-31T20:14:00.033-07:002023-05-31T20:14:00.158-07:00<p> <b><span style="color: #3d85c6;">N°85 Año 2025</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVOlZ9BfAh87xCYp7dp7DsMXBs9H3PWmBE0AWeafOKVRML1bGLRvPWD4e5Hl3-nYFCUJlSqsIXZjiPtOsB0yJuI7ubZbhkuRuhTQsjwJzQFn_NDt0Ko2zYno89btVcJP9XSecKoDOTGSPYn3NoacMMVYIMCdTxtGbTDTMxjFDwUzx6T10JnZAm00Ra/s3624/Hugo%20Vidal%20%20Argentina%20%20sIGNOS2%20-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2498" data-original-width="3624" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVOlZ9BfAh87xCYp7dp7DsMXBs9H3PWmBE0AWeafOKVRML1bGLRvPWD4e5Hl3-nYFCUJlSqsIXZjiPtOsB0yJuI7ubZbhkuRuhTQsjwJzQFn_NDt0Ko2zYno89btVcJP9XSecKoDOTGSPYn3NoacMMVYIMCdTxtGbTDTMxjFDwUzx6T10JnZAm00Ra/s320/Hugo%20Vidal%20%20Argentina%20%20sIGNOS2%20-1.jpg" width="320" /></a></div><br /><p style="text-align: center;"><b><span style="color: #cccccc;">SIGNOS2 </span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">2022</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;">Hugo Vidal</span></b></p><p style="text-align: center;"><b><span style="color: #cccccc;"><br /></span></b></p><p style="text-align: center;"><span style="color: #cccccc;">2023 *Que cosa la poesía visual? Centro Cultural Kirchner. Buenos Aires.*Objeto histórico. Comisión Provincial de la Memoria, La Plata. Prov. Bs As.</span></p><p style="text-align: center;"><span style="color: #cccccc;">2022 *Giro gráfico. Como en el muro la hiedra. Museo Reina Sofia, España. Y MUAC, UNAM, México.(hasta mayo 2023)</span></p><p style="text-align: center;"><span style="color: #cccccc;">2021 *Después de Babel. Traducciones rioplatenses. Muntref Curadores Barbara Cassin (Francia), Marina Aguerre y Leandro M Depietri (Argentina)</span></p><p style="text-align: center;"><span style="color: #cccccc;">2019 *RetraSZando redes. Participación en Encuentro de artistas y gestores culturales. Museos en red, Museo Reina Sofía. España..</span></p><p style="text-align: center;"><span style="color: #cccccc;">2017 *Sommaire. FRAC./Francia.</span></p><p style="text-align: center;"><span style="color: #cccccc;">2016 *Makin use. Life in postartistic times. Museo Arte Moderno. Varsovia/Polonia.</span></p><p style="text-align: center;"><span style="color: #cccccc;">2014 *La protesta, arte y política en la Argentina. Guadalajara/México. Curaduría de L. Malosetti Costa y S. Dolinko. *Aparición en luz. Intervención en Monnaie de Paris, proyecto de John Baldessari. Colaboración: Stephen Wright y Mabel Tapia..</span></p><p style="text-align: center;"><span style="color: #cccccc;">2012 *La chispa que prende fuego la llanura. Arte Contemporáneo. Quito/Ecuador.</span></p><p style="text-align: center;"><span style="color: #cccccc;">2011 *El brillo de tu mirada. C. C. de la Memoria Haroldo Conti, Buenos Aires, con C. Piffer, y en Montevideo, Uruguay, con Cristina Piffer y Clemente Padin, en 2013.</span></p><p style="text-align: center;"><span style="color: #cccccc;">2010 * Bienal de San Pablo. Envío del Parque de la memoria. Video: Reflexiones en torno al arte y la política: Ferrari/Ontiveros/GAC./Piffer/ Brodsky/Vidal.</span></p><p style="text-align: center;"><span style="color: #cccccc;">2007 *Memoria en construcción. C. C. Recoleta. Buenos Aires. Curadores: Romero/ Longoni. *e/star. Emplazamiento escultura San Juan/Puerto Rico/EEUU.</span></p><p style="text-align: center;"><span style="color: #cccccc;">2004 *ARCO, Futuribles. Madrid/España. Galería kbk, México.</span></p><p style="text-align: center;"><span style="color: #cccccc;">2003 *ArteBA Galería Pedrouzo. Bs As.</span></p><p style="text-align: center;"><span style="color: #cccccc;">2002 *III Bienal Iberoamericana de Lima/Perú. Curador: M Pacheco.</span></p><p style="text-align: center;"><span style="color: #cccccc;">1999 *Parque de la memoria. La cruz del Sur. Bs As. Preseleccionado.</span></p><p style="text-align: center;"><span style="color: #cccccc;">
</span></p><p style="text-align: center;"><span style="color: #cccccc;">Colecciones.</span></p><p style="text-align: center;"><span style="color: #cccccc;"> + Museo Reina Sofía. Madrid, España.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">·*FRAC. Fondo Regional Arte Contemporáneo. Francia.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">·*Mauro Herlitzka. Bs Aires.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">*Tren Urbano. San Juan. Puerto Rico USA.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">·*Francis R Mariño. San Pablo/Brasil.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">·* Micromuseo, de Gustavo Buntinx. Perú.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">Y colecciones privadas en Buenos Aires.
</span></p><p style="text-align: center;"><b><span style="color: #cccccc;">
</span></b></p><p style="text-align: center;"><span style="color: #cccccc;"><br /></span></p><p style="text-align: center;"><span style="color: #cccccc;">Bibliografìa.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">*Arte e ativismo (Art and social change) Charles Esche. Reedición MASP (San Pablo, Brasil) y Afterall (Londres, UK) Portugués e inglés. 2021.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">*aquí y alla/here and there. Jacinta Racedo y Paula Serafini. Univ de Leicester, UK, 2019.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">*Operer a l” echelle 1.1. Stephen Wright. Paris. Francia. 2013.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">*Topografias conflictivas. Edit Nueva Trilce. Latinamerika Institut der FU. Alemania. 2011.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">*El siluetazo. Ana Longoni. Edit. Adriana Hidalgo.. 2008.
</span></p><p style="text-align: center;"><span style="color: #cccccc;">*Crossroad for activist art in Argentina. Ana Longoni, Third text, Londres, 2008.
</span></p><p style="text-align: center;"><a href="mailto:hugo.r.vidal@gmail.com"><span style="color: #ffa400;"><b>hugo.r.vidal@gmail.com</b></span></a></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-53486052646708773702023-05-15T08:00:00.021-07:002023-05-15T08:00:00.149-07:00<p> #VISPOMOTION N°20</p><p>Año 2023</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/JjtK495_yMg" width="320" youtube-src-id="JjtK495_yMg"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">"Pigeon"</span></b></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">2023</span></b></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #cccccc;">Yusuke Takasaki</span></b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="color: #cccccc;">TAKASAKI Yusuke, who goes by the pseudonym "a mouse <3S", is a programmer / visual poet based in Tokyo, Japan.<br /><br />In my early career, I made a game called "土木 [do-bok]" as my personal work, which is a puzzle game with Chinese characters as blocks. Later, I came across the works of NIIKUNI Seiichi and was shocked by the similarity of the idea from 50 years ago. After that I started to search for my style as concrete poetry.<br /><br />Now I draw objects, mainly animals, using a minimum of ASCII characters. At first glance, they appear to be nothing more than a series of symbols. However, they are clarified by additional movement or context.</span><div><br /></div><div><div style="text-align: center;"><a href="https://twitter.com/lt3s_mouse"><span style="color: #ffa400;"><b>https://twitter.com/lt3s_mouse</b></span></a></div><br /><p><br /></p></div>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-3187283461889482512023-05-06T19:15:00.014-07:002023-06-06T10:13:03.840-07:00"PROPORCiÓN AURA" / Antología 2007 - 2022<p> </p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpl4P-ZneW2hNXCdGv5ssim7arUcD5_3L3ZZ40VLJ6VnjMmsLemiIEkozpUAzJZHLwhGozhSv2rWcKENu9cbZP_VQGHIlQEFIzHCdyUhSBhDYWxKmJQ1CmHcRH6WYFFha38RB64skPwgOuN4yR7EbZWLfQCxogbFJb8Zpj2eKLkD7Krxi84NDnp-lq/s2498/20230509_160048.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2498" data-original-width="2168" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpl4P-ZneW2hNXCdGv5ssim7arUcD5_3L3ZZ40VLJ6VnjMmsLemiIEkozpUAzJZHLwhGozhSv2rWcKENu9cbZP_VQGHIlQEFIzHCdyUhSBhDYWxKmJQ1CmHcRH6WYFFha38RB64skPwgOuN4yR7EbZWLfQCxogbFJb8Zpj2eKLkD7Krxi84NDnp-lq/s320/20230509_160048.jpg" width="278" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">P R O P O R C I O N A U R A</div><div class="separator" style="clear: both; text-align: center;">Antología 2007 - 2022</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Editorial: @arsetediciones </div><div class="separator" style="clear: both; text-align: center;">Para adquirir ejemplares: <a href="http://arset.com.ar/"><b><span style="color: #ffa400;">http://arset.com.ar/</span></b></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">⭐ Agradecemos la participación y la confianza en el proyecto.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Esta antología esta conformada por 89 obras de Poetas Visuales & Experimentales pertenecientes a 20 países.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">📌 La presentación se llevará a cabo en la 47° Feria Internacional del Libro de Buenos Aires, Zona Futura, el viernes 12 de mayo, a las 17 hs. (puntual), en Av. Cerviño 4474, C.A.B.A., Buenos Aires, Argentina.</div><br /><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dzIzesdBvNg-L-Qb8rczvCZ4UXPP7SkmFyml7VRoeiuXUE8n2lAiO5q04Ellno-3-gKgxenGSk1ChM12RHW9g' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfR7TMQsq7EI8mGsgNO9_G6ndCd9rTbaUuapUIom8mUKka3yeVxxnlFCK4NzzpSL-OPMBGqvPHzGPRgKck55SfTY_gyo9wYOp36FLa6mC8oV6PMCMattLdNeyyURjg8HnPXEIY-qjnbIavyhr84ogNeXGkTwLiSjD2_ECmgEOAu-1flMe27UfkXowv/s2756/20230505_174753.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2756" data-original-width="2070" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfR7TMQsq7EI8mGsgNO9_G6ndCd9rTbaUuapUIom8mUKka3yeVxxnlFCK4NzzpSL-OPMBGqvPHzGPRgKck55SfTY_gyo9wYOp36FLa6mC8oV6PMCMattLdNeyyURjg8HnPXEIY-qjnbIavyhr84ogNeXGkTwLiSjD2_ECmgEOAu-1flMe27UfkXowv/s320/20230505_174753.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW7dgmRJOtI1ocQmSgcFEFTOQB7WkxDuQX1_7hn4ZSMucBQ0DjzAZdns2vTF9xDk5rB5_8gVb_mHZM-1fgdv_GgIgm85htG81c15NWbz9nrN6VHKFO0ue5sule2EODpnbM-GT4iwJ-3B6W3ScYyUZx8USmq_Ns1b-_KthwpDaEi0dt-2lhmOqBhUJ7/s2986/20230501_141420.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2986" data-original-width="2238" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW7dgmRJOtI1ocQmSgcFEFTOQB7WkxDuQX1_7hn4ZSMucBQ0DjzAZdns2vTF9xDk5rB5_8gVb_mHZM-1fgdv_GgIgm85htG81c15NWbz9nrN6VHKFO0ue5sule2EODpnbM-GT4iwJ-3B6W3ScYyUZx8USmq_Ns1b-_KthwpDaEi0dt-2lhmOqBhUJ7/s320/20230501_141420.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Participantes: </div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Avelino de Araújo, Alejandra Bocquel, Alejandro Thornton, Almandrade, Amarilys Quintero Ruiz, Ana Suárez André Burnier, Andrew Brenza, Andrew Topel Ariel Gangi, Arturo Comas, Brian Cullen C.J. Jones, Cinzia Farina, Claudia Contreras, Claudia Li, Claudio Mangifesta, Constança Lucas, Daniela Mastrandrea, Danni Storm, Danny Chodirker, Débora Daich, Dennis Hölscher, Derek A. Beaulieu, Diego Axel Lazcano, Edgardo Antonio Vigo, Emmanuel Rubio / L'hypnotype, Fabio Doctorovich, Fabio Navarro Biazetti, Fátima Queiroz, Federico Jiménez, Fjodor Geijko, Gabriela Esterovich, Hilda Paz, Hugo Masoero, Hugo Vidal, Ignacio Mendia, J.C. Romero, J.M. Calleja, Jeff Nimp, Jesús Urbina Rz, Joan Brossa, João Alberto Tavares / Lupin, John Bennett, József Biró, Julian-Anthony Hespenheide, Katja Pudor, Kitty Doherty, Kseniia Stavrova, Laura Ortiz, Leandro Senna, León Ferrari, Luis Pazos, Marisa Rufino, Mauro Cesari, Michael Betancourt, Michael Orr, Milan Doctor, Mono Grinbaum / Brandinfobia, Nadine Pitthan, Naufalrel Pandu, Nico Vassilakis, Norberto José Martinez, OmarOmar, Paola Ferrari, Paula Ferraresi - Roxana Villarino / Las Esmeraldas, Paulo Aquarone, Rhys Trimble, Ro Barragán, Roberto Almeida Junquera, Rodrigo Alvarez, Rosa Gravino, Samuel Montalvetti, Scott Hazard, Sean Cearley, Sergio Bonzón, Serse Luigetti Silvana Blasbalg, Silvana Castro - Cecilia Magno / Castromagno, Silvia Brewda, Simó del Desert, Stephen Nelson, Steve Artymiuk, Sven Staelens, Tchello d'Barros, Victor Sitá, Vivi Sasso, Yuri Bruscky, Yusuke Takasaki.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><b><div style="text-align: center;"><b>Presentación en FILBA 2023</b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipLXVmZiug-ass7t5UxxOXBYtjhk9sTmQCGR1fMkbOxnFCD1U9ElTiOUOUFNF1Xi9CFupPXqSGjxvgBmauCD-ogwn0Z3McP0eOdZe-uV1n6cF7Y2Dz4ZePKSR_FyAreWj37TDwti53bjh5todSiZxnfAvLFoyrWt2-k4cBNSoS-VRyZwUM0Gi1WIwE/s1394/Screenshot_20230514-182349_Gallery.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1394" data-original-width="1078" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipLXVmZiug-ass7t5UxxOXBYtjhk9sTmQCGR1fMkbOxnFCD1U9ElTiOUOUFNF1Xi9CFupPXqSGjxvgBmauCD-ogwn0Z3McP0eOdZe-uV1n6cF7Y2Dz4ZePKSR_FyAreWj37TDwti53bjh5todSiZxnfAvLFoyrWt2-k4cBNSoS-VRyZwUM0Gi1WIwE/s320/Screenshot_20230514-182349_Gallery.jpg" width="247" /></a></div><br /><b><br /></b></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0eIyeFl8-EDh8Le_wvW-b6qYCFKwM0pw7wq3DLg1xublr04cyJUbqP0VyXWOLc7wnCl7-vr38BhSVvDF9Biy1Y7-0zdP1eFmqjMadCzIVWlg2kZ69hzr4oItIWRPVhO5T5U2oOIQ-a6PzZGBEnzDjPdtKX6RFu3OI-dDbzqcbrZqWCHB7hGpXmOXK/s1600/IMG-20230512-WA0035.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0eIyeFl8-EDh8Le_wvW-b6qYCFKwM0pw7wq3DLg1xublr04cyJUbqP0VyXWOLc7wnCl7-vr38BhSVvDF9Biy1Y7-0zdP1eFmqjMadCzIVWlg2kZ69hzr4oItIWRPVhO5T5U2oOIQ-a6PzZGBEnzDjPdtKX6RFu3OI-dDbzqcbrZqWCHB7hGpXmOXK/s320/IMG-20230512-WA0035.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dyNMbUYxkKJvuaqaLH1_U_RdTlSMsBPgjcU3tnjiaWIFh1xJZruR6azO2M4PGa26-6-FzKdAJDsNzrcu9miMw' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzFQWCTgLu0NCNjkZ4nHeTAjSi-WL9gf_oLNHaMWqjol5uoNpzBpiA43JuWV5W8atV9MPqNn-6EO1invEEfI2iuxAdJj7CnoXzUYk--nsk13Or7Dfk4WPfK-176lsS0kCQtzF0FwC3mKfTYDd0nSqas097Y721Aa4JlCMwH6WhSpIk1U9Ftv04bcZ6/s1024/IMG-20230513-WA0003.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="768" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzFQWCTgLu0NCNjkZ4nHeTAjSi-WL9gf_oLNHaMWqjol5uoNpzBpiA43JuWV5W8atV9MPqNn-6EO1invEEfI2iuxAdJj7CnoXzUYk--nsk13Or7Dfk4WPfK-176lsS0kCQtzF0FwC3mKfTYDd0nSqas097Y721Aa4JlCMwH6WhSpIk1U9Ftv04bcZ6/s320/IMG-20230513-WA0003.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Hace 15 años empezamos con la idea de generar un vínculo con Poetas Visuales y Experimentales promoviendolos a través de la edición de un Fanzine físico aurogestionado llamado aurapoesiavisual utlilizando como concepto principal una hoja de papel formato A4 con una particular forma de doblar, diseñar y situar el Poema más la información de interés de su autor, sellada y firmada.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Fue distribuida en Librerías, Bibliotecas y diversos eventos asociados al Arte Visual y la Literatura.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Hoy reconvertidos en VirtualZine presentes en redes sociales ampliamos límites fronterizos fortaleciendo relaciones e incorporando una cápsula que nombramos como Vispo Motion, una forma de definir La Poesía Visual en movimiento, animada.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Seguimos cureoseando, aprendiendo, compartiendo y ampliando nodos en la red con más artistas que se suman a nuestra comunidad de trabajo.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">El aura de la palabra es Poesía.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">-*-</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">15 years ago we started with the idea of generating a link with Visual and Experimental Poets promoting them through the edition of a self-managed physical fanzine called aurapoesiavisual using as its main concept an A4 format sheet of paper with a particular way of folding, designing and placing the Poem plus the information of interest of its author, sealed and signed.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"> It was distributed in Bookstores, Libraries and various events associated with Visual Art and Literature.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"> Today, converted into VirtualZine, present on social networks, we expand borders, strengthening relationships and incorporating a capsule that we name Vispo Motion, a way of defining Visual Poetry in motion, animated.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"> We continue browsing, learning, sharing and expanding nodes on the network with more artists that join our work community.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"> The aura of the word is poetry.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/sOruEpMjaDY" width="320" youtube-src-id="sOruEpMjaDY"></iframe></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><b><br /></b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: center;"><b><br /></b></div></b><p></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-16365438523402235742023-04-30T20:00:00.009-07:002023-04-30T20:00:00.150-07:00<p> <span style="color: #3d85c6;"><b><span>N°84 </span></b><b><span>Año 2023</span></b></span></p><p><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9x6zQKlnZWCtu7JNqH5pxSJzPcmnrMbfMGOhOpYzgE5NWCBJwfyRe7nUBJeUnE8OVKGzd71rStaMCYYlWEFgKIs7cgCQzDBnFLFD9YEJpR39jOdFj_4p3lYlHVhSXnvPa_06BScCjsd6__RbwgHHAk7ctFveLKN4Yd-ZoLlfKVfjys1kUBLL3DMsV/s2009/A%20cruz%20que%20carrego-%202012.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2009" data-original-width="2009" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9x6zQKlnZWCtu7JNqH5pxSJzPcmnrMbfMGOhOpYzgE5NWCBJwfyRe7nUBJeUnE8OVKGzd71rStaMCYYlWEFgKIs7cgCQzDBnFLFD9YEJpR39jOdFj_4p3lYlHVhSXnvPa_06BScCjsd6__RbwgHHAk7ctFveLKN4Yd-ZoLlfKVfjys1kUBLL3DMsV/s320/A%20cruz%20que%20carrego-%202012.jpg" width="320" /></a></b></div><br /><div style="text-align: center;"><span style="color: #eeeeee; font-weight: bold;">"</span><span style="color: #cccccc;"><b>A cruz que carrego"</b></span></div><div style="text-align: center;"><span style="color: #cccccc;"><b>2022</b></span></div><div style="text-align: center;"><span style="color: #cccccc;"><b>Sérgio Monteiro de Almeida</b></span></div><div style="font-weight: bold; text-align: center;"><b><span style="color: #cccccc;"><br /></span></b></div><div style="text-align: center;"><span style="color: #cccccc;">Sérgio Monteiro de Almeida (Brazil)
</span></div><div style="text-align: center;"><span style="color: #cccccc;">Intermedia artist, he has participated in the artistic movement in Brazil and the international mail art circuit. As a visual poet, he has published in anthologies and magazines, in Brazil and internationally, such as CULT (Brazil) and Rampike Magazine (Canada) and has participated in visual poetry exhibitions such as the International Biennial of Visual and Alternative Poetry in Mexico (1987-2010); Post-Art International Exhibition of Visual/Experimental Poetry (San Diego State University-USA, 1988); Venice Biennale (2005 and 2009, curated by Caterina Davignio); Biennale Internationale de Poesie Visuelle (France, 2015-2021). Recently have been published in the books: Davignio C. Virtual Mercury House, Planetary & Interplanetary Events (Italy, 2012); Zúñiga A, Espinosa C. La mirada transgressora - expanded literature (Mexico, 2017); Dencker KP. Über Viele/S- Begegnungen 1960–2020 (Germany, 2021).
</span></div><div style="font-weight: bold; text-align: center;"><b><span style="color: #cccccc;"><br /></span></b></div><div style="font-weight: bold; text-align: center;"><b><span style="color: #ffa400;">http://www.youtube.com/user/SergioMAlmeida
</span></b></div><div style="font-weight: bold; text-align: center;"><b><span style="color: #cccccc;">Electronic book </span><span style="color: #ffa400;">http://issuu.com/boek861/docs/sergio_monteiro_libro
</span></b></div><div style="font-weight: bold; text-align: center;"><b><span style="color: #cccccc;">Itaú Cultural encyclopedia of visual arts </span><span style="color: #ffa400;">www.itaucultural.com.br
</span></b></div><div style="font-weight: bold; text-align: center;"><b><span style="color: #cccccc;"><br /></span></b></div><div style="font-weight: bold; text-align: center;"><b><span style="color: #cccccc;"><br /></span></b></div><p></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0tag:blogger.com,1999:blog-705876545874949680.post-76920858934686098442023-04-14T20:55:00.004-07:002023-04-15T07:23:17.692-07:00<p><b><span style="color: #ff00fe;">#vispomotion N° 19</span></b></p><p><b><span style="color: #ff00fe;">Año 2023</span></b></p><p></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/nf6Gte8NIA4" width="320" youtube-src-id="nf6Gte8NIA4"></iframe></div><br /><div style="text-align: center;"><span style="color: #cccccc;">"Space Time"</span></div><div style="text-align: center;"><span style="color: #cccccc;">2020</span></div><div style="text-align: center;"><span style="color: #cccccc;">Daniel Markides</span></div><div style="text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="text-align: center;"><span style="color: #cccccc;"><br /></span></div><div style="text-align: center;"><span style="color: #cccccc;">Daniel Markides is a Dutch (Rotterdam based [typo] graphic designer focussing on the </span><span style="color: #cccccc;">emotive power of typography to communicate different identities, messages and ideas </span><span style="color: #cccccc;">by combining [hand drawn] lettering, conceptual thinking, graphic design, illustration & a bit of humor. </span></div><p></p><p style="text-align: center;"><b><span style="color: #ffa400;">https://rockpaperink.nl/</span></b></p>aurahttp://www.blogger.com/profile/01030792695786730080noreply@blogger.com0