#vispomotion N°31
4/12/2024
3/31/2024
N°95 AÑO 2024
3/14/2024
#vispomotion N°30
"Sea of Po" (for Jim Andrews) 1 & 2
Gary Barwin
2023
GARY BARWIN is a writer, composer, and multidisciplinary artist and the author of 30 books including the national bestselling novel Yiddish for Pirates which won the Leacock Medal for Humour and the Canadian Jewish Literary Award, was a finalist for the Governor General’s Award for Fiction and the Scotiabank Giller Prize, and was longlisted for Canada Reads. His latest books are Portal (Visual Poems) and Imagining Imagining: Essays on Language, Identity and Infinity. His recent public art installation, be:longings (with Tor Lukasik-Foss and Simon Frank) is a series of bronze sculptures installed in a Hamilton, Ontario park. His artwork has been exhibited at the Art Gallery of Hamilton (including a year-long interactive installation) as well as in galleries internationally. Born in Northern Ireland to South African parents of Lithuanian Ashkenazi descent, he lives in Hamilton, Ontario, Canada. https://www.youtube.com/@garybarwin • garybarwin.com
2/29/2024
N°94 Año 2024
Jay Snodgrass is poet and asemic artist living in the South Georgie and North Florida, US
He is inspired by the hyper-coded stylization of graffiti, illuminated manuscripts, alphabetic calligraphy forms, and the alien communiques that he receives by radio transmission directly into his mind from outer space. Sometimes those messages derive from a more divine origin which moves him to write in tongues.
These pieces are somewhere in the spectrum of new projects, subjects ranging from spells for speaking with the dead to coordinates for discovering time travel.
There are collage elements, urban geometry and vehicles of transport and escape.
These letter forms are derived from the lines in nature, the lines in the sky, lines in the broken speech of fallen leaves, lines seeping through from the made-world, form the broken asphalt, powerlines, agriculture, graveyards and traffic. The maps lead through chaotic movement to a world where the movement of branches in wind is more orderly than the worn-out currency of alphabets.
His asemic work has appeared in Diode, Lockjaw Magazine, Excuse Me Mag, and Asemic Front 2, Slowforward, The South Florida Poetry Journal, Utsanga and Big Bridge; as well as the asemic chapbooks, Masks from Paperview Books, and Book of The 12 Heavens from Conatagion Press. He is the author of Monster Zero, a book of poems about Godzilla. (Elixir Press).
2/14/2024
#vispomotion N°29
"Sleep"
Antonin Waterkeyn
2023
Born in Brussels, I studied graphic arts at La Cambre. Driven by a passion for motion design, I delved into the internet of that time to self-train in this discipline, and since then, it's been my sole focus. I worked for 15 years on After Effects, and I was beginning to grow tired of it. However, a year ago, I discovered the @cavalry.app program, which breathed new life into my work. In addition to my experiments, I create films for museums, concerts, and humanitarian associations.
https://www.mada-mada.com/
1/31/2024
N°93 Año 2024
1/14/2024
#vispomotion N°28 Año 2024
12/31/2023
N°92 Año 2024
12/14/2023
#vispomotion N°27
Año 2023
11/30/2023
N°91 Año 2023
"Re paro"
2020
María Paula Doberti
Soy artista visual y docente, argentina. Doy clases en la UBA y en la UNA. En mi práctica artística trabajo desde distintas materialidades (dibujos, collage, libros de artista, objetos, instalaciones, performance). Tanto en mi obra personal, como en los distintos colectivos que integro (M.O.C, G.R.A.S.A, Dibujos Urgentes, Río Memoria, la Compañía de Funciones Patrióticas) abordo ejes como memoria, territorio y cuerpo.
Me interesa en particular investigar acerca de las relaciones entre la Memoria y la Identidad, así con mayúscula. Trabajo desde la indagación, la pregunta y la recuperación.
Mi campo de obra abarca también el arte urbano y político, utilizando como soporte la calle y la investigación, en obras y textos que bucean en diversos territorios de la memoria.
11/15/2023
#vispomotion N°26
Año 2023
10/31/2023
N°90 Año 2023
"NN"
Gabi Alonso
2023
"TODO ARTE ES POLÍTICO"
10/15/2023
#vispomotion N°25
AÑO 2023
9/30/2023
9/14/2023
#vispomotion N°24
Año 2023
8/31/2023
N°88 Año 2023
8/14/2023
#vispomotion N°23
Martín Rangel Noguez (Pachuca, México, 1994) es poeta, editor y net-artist. Autor de los libros de poesía ROJO (2013), El rugido leve: las canciones de Ryan Karazija (CECULTAH, 2015), emoji de algo muerto (Malos Pasos, 2015), delirioamateur (Niño Down Editorial, 2016), al margen del mundo (Tiempo-que-resta Ediciones, 2017), Luna Hiena (ABLUCIONISTAS, 2020), bisiesto (Editorial Matrerita, 2021) y sometimes I write poems and sometimes I write poems (Trad. Lawrence Schimel, Broken Sleep Books, 2021). Ha producido las piezas de literatura electrónica SOY UNA MÁQUINA Y NO PUEDO OLVIDAR (Centro de Cultura Digital, 2017), heart of ice (HYPERPOESÍA, 2021), Trabajo Textual (Museo de Arte Contemporáneo de Hidalgo, 2021) y [error] (Centro TOPO de Montreal / Centro de Cultura Digital / andamio.in / Ministerio de Relaciones Exteriores y la Francofonía de Quebec, 2023). Dirige Libros Malviaje, proyecto de curaduría y producción editorial.
1. https://www.instagram.com/
8/08/2023
Convocatoria Internacional de Poesía Visual "#2084 Futuros Imaginados"
7/31/2023
N°87 Año 2023
7/14/2023
#vispomotion N°22
6/30/2023
N°86 Año 2023
"Prisioner"
2023
Hércules S. Trigo
Meu nome é Hércules Santos Trigo, sou brasileiro, artista plástico e design gráfico. Venho relizando trabalhos na area gráfica com pitadas artísticas.
Desde a época de faculdade eu gosto de misturar os typos e a figura humana em especial. Já trabalhei em algumas revistas publicando meus trabalhos e jornais como diretor de arte.
Minha formação acadêmica começa em 2000 com a faculdade de artes plásticas, segui com a arte em especial a pintura a óleo realizando algumas exposições com alguns amigos de faculdade. Já no Design Gráfico, migrei minhas técnicas para o mundo digital, no qual me deu novas ferramentas e novas possibilidades.
6/14/2023
#vispomotion N°21
Año 2023
"Move Type Work Shop "
Lucas Hesse
2023
Lucas Hesse is a graphic & motion designer based in Hamburg, Germany. He is working in the field of visual communication with a strong focus on typography and motion design. Working as an independent graphic & motion designer since 2016, he has been able to work for well-known, international clients. »My work is built very systematically, I break down the content into its simplest form and put it in a graphic system that’s as straightforward as possible.« This is seen in the designer’s Swiss-inspired work that focuses on grid-based simplicity which offers the viewer an obtainable clarity. During his studies in Mainz, he spent a semester abroad in Seoul, joined a course at the HfG in Offenbach under the direction of Eike König and gained experience trough an internship at Studio Dumbar in Rotterdam.
5/31/2023
N°85 Año 2025
SIGNOS2
2022
Hugo Vidal
2023 *Que cosa la poesía visual? Centro Cultural Kirchner. Buenos Aires.*Objeto histórico. Comisión Provincial de la Memoria, La Plata. Prov. Bs As.
2022 *Giro gráfico. Como en el muro la hiedra. Museo Reina Sofia, España. Y MUAC, UNAM, México.(hasta mayo 2023)
2021 *Después de Babel. Traducciones rioplatenses. Muntref Curadores Barbara Cassin (Francia), Marina Aguerre y Leandro M Depietri (Argentina)
2019 *RetraSZando redes. Participación en Encuentro de artistas y gestores culturales. Museos en red, Museo Reina Sofía. España..
2017 *Sommaire. FRAC./Francia.
2016 *Makin use. Life in postartistic times. Museo Arte Moderno. Varsovia/Polonia.
2014 *La protesta, arte y política en la Argentina. Guadalajara/México. Curaduría de L. Malosetti Costa y S. Dolinko. *Aparición en luz. Intervención en Monnaie de Paris, proyecto de John Baldessari. Colaboración: Stephen Wright y Mabel Tapia..
2012 *La chispa que prende fuego la llanura. Arte Contemporáneo. Quito/Ecuador.
2011 *El brillo de tu mirada. C. C. de la Memoria Haroldo Conti, Buenos Aires, con C. Piffer, y en Montevideo, Uruguay, con Cristina Piffer y Clemente Padin, en 2013.
2010 * Bienal de San Pablo. Envío del Parque de la memoria. Video: Reflexiones en torno al arte y la política: Ferrari/Ontiveros/GAC./Piffer/ Brodsky/Vidal.
2007 *Memoria en construcción. C. C. Recoleta. Buenos Aires. Curadores: Romero/ Longoni. *e/star. Emplazamiento escultura San Juan/Puerto Rico/EEUU.
2004 *ARCO, Futuribles. Madrid/España. Galería kbk, México.
2003 *ArteBA Galería Pedrouzo. Bs As.
2002 *III Bienal Iberoamericana de Lima/Perú. Curador: M Pacheco.
1999 *Parque de la memoria. La cruz del Sur. Bs As. Preseleccionado.
Colecciones.
+ Museo Reina Sofía. Madrid, España.
·*FRAC. Fondo Regional Arte Contemporáneo. Francia.
·*Mauro Herlitzka. Bs Aires.
*Tren Urbano. San Juan. Puerto Rico USA.
·*Francis R Mariño. San Pablo/Brasil.
·* Micromuseo, de Gustavo Buntinx. Perú.
Y colecciones privadas en Buenos Aires.
Bibliografìa.
*Arte e ativismo (Art and social change) Charles Esche. Reedición MASP (San Pablo, Brasil) y Afterall (Londres, UK) Portugués e inglés. 2021.
*aquí y alla/here and there. Jacinta Racedo y Paula Serafini. Univ de Leicester, UK, 2019.
*Operer a l” echelle 1.1. Stephen Wright. Paris. Francia. 2013.
*Topografias conflictivas. Edit Nueva Trilce. Latinamerika Institut der FU. Alemania. 2011.
*El siluetazo. Ana Longoni. Edit. Adriana Hidalgo.. 2008.
*Crossroad for activist art in Argentina. Ana Longoni, Third text, Londres, 2008.
5/15/2023
#VISPOMOTION N°20
Año 2023
In my early career, I made a game called "土木 [do-bok]" as my personal work, which is a puzzle game with Chinese characters as blocks. Later, I came across the works of NIIKUNI Seiichi and was shocked by the similarity of the idea from 50 years ago. After that I started to search for my style as concrete poetry.
Now I draw objects, mainly animals, using a minimum of ASCII characters. At first glance, they appear to be nothing more than a series of symbols. However, they are clarified by additional movement or context.
5/06/2023
"PROPORCiÓN AURA" / Antología 2007 - 2022
4/30/2023
N°84 Año 2023
4/14/2023
#vispomotion N° 19
Año 2023
https://rockpaperink.nl/
3/31/2023
3/14/2023
#vispomotion N°18
Año 2023
SHIFT, 2022 – I rearranged parts of each letter to create new glyphs. A simple example is to exchange the left half of a letter with the right half of a letter. The new glyphs contain the same material as the original letters and theoretically all the information. They are just really hard to read.
I'm Sam from Berlin, Germany - rem_owl on Instagram. I like art based on numbers and letters, so I started to make my own since 2017 and that became an elaborated hobby. The mix of function and aesthetics accompanied me since school with my main subjects art and physics and my stdies in architecture. The functional part of my works is hiding information in plain sight. The aesthetics part is trying different visual styles and techniques (e.g. CAD, spray, markers, tape, 3D printing, cookie dough, LEGO, stamps etc.) Older ideas of my own and new ideas from others are my constant inspiration as well as the world around me.
https://instagram.com/rem_owl?igshid=YmMyMTA2M2Y=