Vera van de Seyp (NL) es diseñadora y educadora computacional. Su trabajo explora sistemas de diseño, inteligencia artificial, lenguajes y sistemas de búsqueda en
caos. Enseña e imparte talleres y conferencias para ayudar a los creadores a codificar y desarrollar sus propias herramientas de diseño. Actualmente, Vera forma parte del MIT Media Lab como asistente de investigación en el grupo Future Sketches.
veravandeseyp.com
instagram.com/veravandeseyp
8/31/2023
N°88 Año 2023
"Nonas 1"
2023
Kevin Stebner
Kevin Stebner is a multi-disciplinary writer, musician, visual and installation artist from Calgary, Alberta, Canada.
Through a dedication to DIY in all its forms, at one point dubbed by Vice as "Calgary's Hardest Working Musician," Stebner has released dozens of albums and toured across Canada multiple times with myriad of projects, notably Stalwart Sons, Cold Water, GreyScreen, and Prepared. Ever active, post-hardcore band Fulfilment have dropped their first album "10 Colours" in 2022. alt-country band Cold Water have just released their second album "Instead I am a Golden Oriole" (2023). Throughout the pandemic he has dedicated the time focused on preparing his first novel, No Thing but Nothing. Stebner has been delving into the world of concrete poetry in various forms, largely utilizing typewriters, the result of which has been an astounding array of nearly typewritten visual poems, many of which are appearing in chapbooks and publications (recently from Blasted Tree, NonPlusUltra, No Press & Timglaset). He is also the proprietor of Calgary's best bookstore that's in a shed, Shed Books.
kevinstebner.com
8/14/2023
#vispomotion N°23
[local_distante] (fragmentos)
Martin Rangel
2023
Martín Rangel Noguez (Pachuca, México, 1994) es poeta, editor y net-artist. Autor de los libros de poesía ROJO (2013), El rugido leve: las canciones de Ryan Karazija (CECULTAH, 2015), emoji de algo muerto (Malos Pasos, 2015), delirioamateur (Niño Down Editorial, 2016), al margen del mundo (Tiempo-que-resta Ediciones, 2017), Luna Hiena (ABLUCIONISTAS, 2020), bisiesto (Editorial Matrerita, 2021) y sometimes I write poems and sometimes I write poems (Trad. Lawrence Schimel, Broken Sleep Books, 2021). Ha producido las piezas de literatura electrónica SOY UNA MÁQUINA Y NO PUEDO OLVIDAR (Centro de Cultura Digital, 2017), heart of ice (HYPERPOESÍA, 2021), Trabajo Textual (Museo de Arte Contemporáneo de Hidalgo, 2021) y [error] (Centro TOPO de Montreal / Centro de Cultura Digital / andamio.in / Ministerio de Relaciones Exteriores y la Francofonía de Quebec, 2023). Dirige Libros Malviaje, proyecto de curaduría y producción editorial.
Adéntrate en el reino de la imaginación y emprende un viaje al año 2084 con el programa "2084 Futuros Imaginados desde el Sur" y AURA Poesía Visual.
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Te invitamos cordialmente a participar en nuestra convocatoria internacional de poesía visual, donde la creatividad no tiene límites.
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🌍 Sobre esta convocatoria: Imagina y envíanos tus creaciones de "poesía visual" desde el futuro hacia nuestro presente. Ha llegado el momento de ocupar el futuro y permitir que tu visión artística moldee el mundo por venir. Todxs juntxs, podemos transformar los sueños en realidad.
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� Fecha límite: 30 de septiembre de 2023
* Tamaño: 15 x 15 cm / JPG / 300 dpi
* Cantidad: 1 obra por persona
* Técnica: Libre (analógica y/o digital). * Blanco y negro con escala de grises.
* Opcional: Incluir un breve texto conceptual.
📧Envía tu participación a: aurafuturos@gmail.com
✍️ Por favor, identifica tus archivos JPG con tu nombre como autor y nacionalidad.
🌐 Indica tus redes sociales: Instagram, Facebook.
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📢 Todas las participaciones se exhibirán en nuestros canales.
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🌟 Organizado por: AURA Poesía Visual @aurapoesiavisual ; 2084 Futuros Imaginados desde el Sur @2084futurosimaginados ; Dirección de Programas Internacionales, Facultad de Arquitectura, Diseño y Urbanismo, Universidad de Buenos Aires (FADU UBA) @faducomunica ; y Observatorio Latino Americano OLA, The New School @olanewschool
🖌️ Sobre la Poesía Visual: La poesía visual es una forma experimental en la que la imagen, se combina con la tipografía (letras, números, símbolos, escritura asémica, poesía concreta, etc) y juntos transmiten una idea, un concepto.
7/31/2023
N°87 Año 2023
"QR en-in QR"
(Código encerrado en código)
A TODO o NADA
Arsenicales huellas calza tu coneja\ cuando la codiacal murisma \ superfluamente clavícula \
Aspersiones pretensan canibalas de Madero cronopuerto \ Orzomujo de planicie calvicia talla \
Química Léxica (2022). Numerosos trabajos publicados en antologías. Autor de El Punto Ciego (The Blind Spot. Anthology of Argentine Visual Poetry: from 7000 BC to the Third Millennium),
Borja Holke (Holke79) es un diseñador gráfico y animador especializado en el trabajo tipográfico relacionado muchas veces con la propia semántica.
Nacido en 1979 en San Sebastián ha desarrollado su carrera en Madrid trabajando en múltiples estudios de diseño gráfico, televisiones o agencias de branding y publicidad.
Actualmente trabaja como freelance simultaneando su proyectos personales con los comerciales.
Meu nome é Hércules Santos Trigo, sou brasileiro, artista plástico e design gráfico. Venho relizando trabalhos na area gráfica com pitadas artísticas.
Desde a época de faculdade eu gosto de misturar os typos e a figura humana em especial. Já trabalhei em algumas revistas publicando meus trabalhos e jornais como diretor de arte.
Minha formação acadêmica começa em 2000 com a faculdade de artes plásticas, segui com a arte em especial a pintura a óleo realizando algumas exposições com alguns amigos de faculdade. Já no Design Gráfico, migrei minhas técnicas para o mundo digital, no qual me deu novas ferramentas e novas possibilidades.
Lucas Hesse is a graphic & motion designer based in Hamburg, Germany. He is working in the field of visual communication with a strong focus on typography and motion design. Working as an independent graphic & motion designer since 2016, he has been able to work for well-known, international clients. »My work is built very systematically, I break down the content into its simplest form and put it in a graphic system that’s as straightforward as possible.« This is seen in the designer’s Swiss-inspired work that focuses on grid-based simplicity which offers the viewer an obtainable clarity. During his studies in Mainz, he spent a semester abroad in Seoul, joined a course at the HfG in Offenbach under the direction of Eike König and gained experience trough an internship at Studio Dumbar in Rotterdam.
2023 *Que cosa la poesía visual? Centro Cultural Kirchner. Buenos Aires.*Objeto histórico. Comisión Provincial de la Memoria, La Plata. Prov. Bs As.
2022 *Giro gráfico. Como en el muro la hiedra. Museo Reina Sofia, España. Y MUAC, UNAM, México.(hasta mayo 2023)
2021 *Después de Babel. Traducciones rioplatenses. Muntref Curadores Barbara Cassin (Francia), Marina Aguerre y Leandro M Depietri (Argentina)
2019 *RetraSZando redes. Participación en Encuentro de artistas y gestores culturales. Museos en red, Museo Reina Sofía. España..
2017 *Sommaire. FRAC./Francia.
2016 *Makin use. Life in postartistic times. Museo Arte Moderno. Varsovia/Polonia.
2014 *La protesta, arte y política en la Argentina. Guadalajara/México. Curaduría de L. Malosetti Costa y S. Dolinko. *Aparición en luz. Intervención en Monnaie de Paris, proyecto de John Baldessari. Colaboración: Stephen Wright y Mabel Tapia..
2012 *La chispa que prende fuego la llanura. Arte Contemporáneo. Quito/Ecuador.
2011 *El brillo de tu mirada. C. C. de la Memoria Haroldo Conti, Buenos Aires, con C. Piffer, y en Montevideo, Uruguay, con Cristina Piffer y Clemente Padin, en 2013.
2010 * Bienal de San Pablo. Envío del Parque de la memoria. Video: Reflexiones en torno al arte y la política: Ferrari/Ontiveros/GAC./Piffer/ Brodsky/Vidal.
2007 *Memoria en construcción. C. C. Recoleta. Buenos Aires. Curadores: Romero/ Longoni. *e/star. Emplazamiento escultura San Juan/Puerto Rico/EEUU.
TAKASAKI Yusuke, who goes by the pseudonym "a mouse <3S", is a programmer / visual poet based in Tokyo, Japan.
In my early career, I made a game called "土木 [do-bok]" as my personal work, which is a puzzle game with Chinese characters as blocks. Later, I came across the works of NIIKUNI Seiichi and was shocked by the similarity of the idea from 50 years ago. After that I started to search for my style as concrete poetry.
Now I draw objects, mainly animals, using a minimum of ASCII characters. At first glance, they appear to be nothing more than a series of symbols. However, they are clarified by additional movement or context.
⭐ Agradecemos la participación y la confianza en el proyecto.
Esta antología esta conformada por 89 obras de Poetas Visuales & Experimentales pertenecientes a 20 países.
📌 La presentación se llevará a cabo en la 47° Feria Internacional del Libro de Buenos Aires, Zona Futura, el viernes 12 de mayo, a las 17 hs. (puntual), en Av. Cerviño 4474, C.A.B.A., Buenos Aires, Argentina.
Participantes:
Avelino de Araújo, Alejandra Bocquel, Alejandro Thornton, Almandrade, Amarilys Quintero Ruiz, Ana Suárez André Burnier, Andrew Brenza, Andrew Topel Ariel Gangi, Arturo Comas, Brian Cullen C.J. Jones, Cinzia Farina, Claudia Contreras, Claudia Li, Claudio Mangifesta, Constança Lucas, Daniela Mastrandrea, Danni Storm, Danny Chodirker, Débora Daich, Dennis Hölscher, Derek A. Beaulieu, Diego Axel Lazcano, Edgardo Antonio Vigo, Emmanuel Rubio / L'hypnotype, Fabio Doctorovich, Fabio Navarro Biazetti, Fátima Queiroz, Federico Jiménez, Fjodor Geijko, Gabriela Esterovich, Hilda Paz, Hugo Masoero, Hugo Vidal, Ignacio Mendia, J.C. Romero, J.M. Calleja, Jeff Nimp, Jesús Urbina Rz, Joan Brossa, João Alberto Tavares / Lupin, John Bennett, József Biró, Julian-Anthony Hespenheide, Katja Pudor, Kitty Doherty, Kseniia Stavrova, Laura Ortiz, Leandro Senna, León Ferrari, Luis Pazos, Marisa Rufino, Mauro Cesari, Michael Betancourt, Michael Orr, Milan Doctor, Mono Grinbaum / Brandinfobia, Nadine Pitthan, Naufalrel Pandu, Nico Vassilakis, Norberto José Martinez, OmarOmar, Paola Ferrari, Paula Ferraresi - Roxana Villarino / Las Esmeraldas, Paulo Aquarone, Rhys Trimble, Ro Barragán, Roberto Almeida Junquera, Rodrigo Alvarez, Rosa Gravino, Samuel Montalvetti, Scott Hazard, Sean Cearley, Sergio Bonzón, Serse Luigetti Silvana Blasbalg, Silvana Castro - Cecilia Magno / Castromagno, Silvia Brewda, Simó del Desert, Stephen Nelson, Steve Artymiuk, Sven Staelens, Tchello d'Barros, Victor Sitá, Vivi Sasso, Yuri Bruscky, Yusuke Takasaki.
Presentación en FILBA 2023
Hace 15 años empezamos con la idea de generar un vínculo con Poetas Visuales y Experimentales promoviendolos a través de la edición de un Fanzine físico aurogestionado llamado aurapoesiavisual utlilizando como concepto principal una hoja de papel formato A4 con una particular forma de doblar, diseñar y situar el Poema más la información de interés de su autor, sellada y firmada.
Fue distribuida en Librerías, Bibliotecas y diversos eventos asociados al Arte Visual y la Literatura.
Hoy reconvertidos en VirtualZine presentes en redes sociales ampliamos límites fronterizos fortaleciendo relaciones e incorporando una cápsula que nombramos como Vispo Motion, una forma de definir La Poesía Visual en movimiento, animada.
Seguimos cureoseando, aprendiendo, compartiendo y ampliando nodos en la red con más artistas que se suman a nuestra comunidad de trabajo.
El aura de la palabra es Poesía.
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15 years ago we started with the idea of generating a link with Visual and Experimental Poets promoting them through the edition of a self-managed physical fanzine called aurapoesiavisual using as its main concept an A4 format sheet of paper with a particular way of folding, designing and placing the Poem plus the information of interest of its author, sealed and signed.
It was distributed in Bookstores, Libraries and various events associated with Visual Art and Literature.
Today, converted into VirtualZine, present on social networks, we expand borders, strengthening relationships and incorporating a capsule that we name Vispo Motion, a way of defining Visual Poetry in motion, animated.
We continue browsing, learning, sharing and expanding nodes on the network with more artists that join our work community.
The aura of the word is poetry.
4/30/2023
N°84 Año 2023
"A cruz que carrego"
2022
Sérgio Monteiro de Almeida
Sérgio Monteiro de Almeida (Brazil)
Intermedia artist, he has participated in the artistic movement in Brazil and the international mail art circuit. As a visual poet, he has published in anthologies and magazines, in Brazil and internationally, such as CULT (Brazil) and Rampike Magazine (Canada) and has participated in visual poetry exhibitions such as the International Biennial of Visual and Alternative Poetry in Mexico (1987-2010); Post-Art International Exhibition of Visual/Experimental Poetry (San Diego State University-USA, 1988); Venice Biennale (2005 and 2009, curated by Caterina Davignio); Biennale Internationale de Poesie Visuelle (France, 2015-2021). Recently have been published in the books: Davignio C. Virtual Mercury House, Planetary & Interplanetary Events (Italy, 2012); Zúñiga A, Espinosa C. La mirada transgressora - expanded literature (Mexico, 2017); Dencker KP. Über Viele/S- Begegnungen 1960–2020 (Germany, 2021).
http://www.youtube.com/user/SergioMAlmeida
Electronic book http://issuu.com/boek861/docs/sergio_monteiro_libro
Itaú Cultural encyclopedia of visual arts www.itaucultural.com.br
4/14/2023
#vispomotion N° 19
Año 2023
"Space Time"
2020
Daniel Markides
Daniel Markides is a Dutch (Rotterdam based [typo] graphic designer focussing on the emotive power of typography to communicate different identities, messages and ideas by combining [hand drawn] lettering, conceptual thinking, graphic design, illustration & a bit of humor.
https://rockpaperink.nl/
3/31/2023
N°83 Año 2023
"Kaleopteros"
2022
David Félix
David Felix is an English visual poet whose writing takes on a variety of forms, in collage, in three dimensions, in galleries, festivals, publications, performances and video.
Born sometime during the last century he comes from a family of artists, magicians and tailors and was raised on oil paint, quickness of the hand and Singer sewing machines.
David delights in collected letterforms - everything from Phoenician scripts to fonts from the 1900s blended with for example, his own hand-drawn alphabets, graffiti, Shaker gift drawings and so on. We can, he says, do anything we want to.
And related to the meaning of language he will use etymology, Old English forms of text, children's phrasing, made up words, nonsense, whatever works in context.
David is still thrilled by that combination of the verbal and the visual that he first found as a student in the nineteen sixties: the rippling text of Apollinaire’s rain poem, the formality of George Herbert, the freshness of the Brazilian Poesia Concreta and their European counterparts Gomringer and Fahlström, the invention of Joan Brossa, the freedom and rule breaking that came with Dada and Futurism, painter poets such as Adrian Henri and John Furnival, the slightly smudged typescripts of Dom Sylvester Houédard, the conciseness of Ian Hamilton Finlay . . . . delighted over the years to find a tradition and history of picture poems, a body of ‘poesia visual’ that stretches back to Rome and Persia and to Simmias of Rhodes in 327 BCE . . . .
SHIFT, 2022 – I rearranged parts of each letter to create new glyphs. A simple example is to exchange the left half of a letter with the right half of a letter. The new glyphs contain the same material as the original letters and theoretically all the information. They are just really hard to read.
I'm Sam from Berlin, Germany - rem_owl on Instagram. I like art based on numbers and letters, so I started to make my own since 2017 and that became an elaborated hobby. The mix of function and aesthetics accompanied me since school with my main subjects art and physics and my stdies in architecture. The functional part of my works is hiding information in plain sight. The aesthetics part is trying different visual styles and techniques (e.g. CAD, spray, markers, tape, 3D printing, cookie dough, LEGO, stamps etc.) Older ideas of my own and new ideas from others are my constant inspiration as well as the world around me.
https://instagram.com/rem_owl?igshid=YmMyMTA2M2Y=
2/28/2023
N°82 Año 2023
"He is not that type"
2021
Robin Tomens
Robin Tomens has been making art since the Punk era, when he started producing zines. He uses multi-media such as paper, print, paint, photography, typewriters and digital technology, often combining them in one piece. His work has featured in exhibitions (with The Tunnel collective), booklets for Timglaset and Redfoxpress and the periodical, Le Monde Diplomatique; it has also been used for album covers (Modern Jazz Dance Classics 1 & 2). Text in abstract or literal form has been a constant in his art and visual poetry. He is the author of Points of Departure – Essays On Modern Jazz (Stride) and contributed to the anthology, Cut Up! (Oneiros Books). He makes his own artist’s books, the most recent one being a collection of typewriter art called If You Don’t Mind. He lives in London.
Artista sonoro e investigador. Desarrolla prácticas artísticas explorando las intersecciones entre el ruido, el lenguaje, las mediaciones tecnológicas y la cotidianidad. Mantiene, desde 2010, el sello de música experimental Estranhas Ocupações. Co-creador del festival de artes sonoras Rumor y del programa de seminarios y residencias (Entre) Lugares Sonoros. Coautor del libro 'Historia de la Poesía Visual Brasileña' (2018).
Kseniia Stavrova, multidisciplinary designer and art director, co-founder of Orka Collective. Works across various media with the focus on experimental graphic design, motion design and typography. Originally from Saint-Petersburg, lives and works in Hamburg.
Project info:
Series of shot motion loops created as a part of everyday’s practice and research (ongoing). There’s no special title for the series, it’s called just “Motion studies” + the number.
https://www.behance.net/lessorequal
https://www.instagram.com/less_or_equal/
https://www.instagram.com/orkacollective/
12/31/2022
N°80 Año 2023
This House _The stuff of which the world is made
2021
Collage, 20 x 20 cm
Katja Pudor
live in Berlin, Germany
Katja Pudor's text-based collages are created from existing texts by other authors, which she selects and creates new texts from.
The artist's concept is to change existing texts by making new connections between the text fragments she selects.
The work "me and the others" combines text passages about works by female artists. A fund of facts about works by female artists is created
and points to the still insufficient presence of female artists in representative museum catalogs, in texts about art.
http://www.katjapudor.de/
12/15/2022
#vispomotion N°15
Año 2022
"aura"
2022
Felipe Braun
Brazilian creative coder/multimedia artist seeking to integrate new technologies, development and research of innovations and visual arts.
In his work, mostly in generative video art, he tries to achieve motion complexity using large scaled pixels and ASCII characters, communicating with this about the duality between simplicity and complexity inside the computer era.
Graphic designer professional and electronical engineering student.
Knowledge in creative programming, 3D modeling, virtual reality, augmented reality, artificial intelligence and new decentralist technologies (blockchain | NFTs).
Kitty Doherty (she/her) is a Berlin-based creative whose text-based art and visual poetry centres around language. Her work explores the arbitrary, inconstant and inefficient nature of language, as well as the role it plays in the intertwining issues of selfhood, epistemology and the construction of social norms and literary ideals.
Bei den typographischen Kurzvideos handelt es sich um meine persönliche Reflexion auf die aktuellen politischen Zustände in der Welt. Unsere Welt besteht aus Frieden und Krieg, die nicht nacheinander kommen, sondern gleichzeitig existieren. "Krieg ist Frieden" schrieb George Orwell in seinem bekannten Roman vor 70 Jahren. Die Wörter Krieg und Frieden fließen in einander in einer Endlosschleife und ergeben eine schmutzige und schwere Anmutung unserer heutigen Welt. Die Kurzvideos sind in drei Sprachen ausgeführt, um das internationale Charakter der Politik zu unterstreichen.
War is peace.
The typographic short videos are my personal reflections on the current political situation in the world. Our world consists of peace and war, which do not come one after the other, but exist simultaneously. "War is Peace" wrote George Orwell in his well-known novel 70 years ago. The words war and peace flow into each other in an endless loop, giving a dirty and heavy feel to our contemporary world. The short videos are in three languages to underline the international nature of the policy.
Fjodor Gejko (Germany)
Born in Rudny (Soviet Union) in 1978;
1995 Studied architecture and urban planning at the Rudny Industrial College;
1996 move to Germany;
2001 to 2005 studied visual communication in the design department at the Düsseldorf University of Applied Sciences;
After studying graphic design at large national and international companies in Germany and China;
Fjodor Gejko regularly writes articles on typographic design for Russian, Swiss and Japanese trade journals.
Rhys Trimble is a neurodiverse, bilingual, poet, teacher, translator, performer, critic, musician, visual artist, mystic, pastynwr, performance artist, publisher and editor born in Zambia, raised in South Wales and resident in North Wales.
Julian-Anthony Hespenheide is a german designer in the fields of Interaction Design. In his work, he creates compelling complex installations to tell peculiar stories about the digital and opens a discussion space in the analog sphere. His work emphasizes on converging the digital with design, art, science and technology to create novel concepts and a better understanding of the future. He is holding a M.A in Digital Media from the University of the Arts Bremen (HFK), Germany.
Nació en Ranelagh, Buenos Aires adonde estudió grabado y diseño textil desde los 16 años con el maestro Ludovico Pérez.
Estudia en la Escuela de Bellas Artes Carlos Morel, Quilmes.
Vivió en España entre 1978 y 1983, adonde estudió Dibujo y Pintura en el Taller de Jorge Abot, y en la Real Academia de Bellas Artes de San Fernando, en Madrid.
En 1983 de vuelta en Buenos Aires, se recibe de Maestra de Bellas Artes en la Escuela Nacional Manuel Belgrano, estudia en la Escuela de Bellas Artes Pridiliano Pueyrredón, en la Escuela Superior de Bellas Artes de la Nación Ernesto de la Cárcova, en la Cátedra Pintura con Alejandro Puente, y en diversos talleres de artistas.
Obtuvo diversos Premios y Becas:
1º y 2º Premio Salón Nacional en Arte Textil, 2009
Fundación Antorchas. Beca Fundación Telefónica, Beca Trama con León Ferrari, y Beca a la creación del Fondo Nacional de las Artes.
Estudió Dibujo con el Maestro Eduardo Stupía.
Actualmente vive en Parque Chas y trabaja como docente en CABA. Dictó Talleres de Collage interdisciplinarios, en donde cruza lenguajes, como lo hace en sus obras. Desde la Pandemia también dicta los Talleres online.
Participó en distintas exposiciones grupales e individuales.
Poseen sus obras en Museos, Colecciones privadas y públicas de Argentina, y otros países.
Nuestro museo cuenta en su acervo patrimonial con una obra objeto de su autoría.
Trabajo como editor de sonido y grabador para televisión y cine... y garabateo mucho... ¡descubrí el arte de las máquinas de escribir en 2021 y luego me obsesioné bastante!.
A TYPE is a FONT (called POLICE in French) of typographic CHARACTERS which can be developed in VARIANTS, or SORTS in French. The HYPNOTYPE associates those VARIANTS towards a SORT OF ANTI-FONT / ANTI-POLICE with CHARACTER. The HYPNOTYPE, born out from mixing all VARIANTS / all SORTS, is a FAMILY on its own. It undoes the WORDS’ and WORLD’s undue immobilization. In French, a TYPE is also a GUY.
aurapoesiavisual nació en el mes de octubre de 2007 en Buenos Aires, Argentina.
Consideramos que la poesia visual es el aura de la palabra...
Fue desde sus inicios hasta el año 2011 una publicación bimestral y a partir del año 2012, su frecuencia pasó a ser trimestral.
Tiene como misión promover la obra de poetas visuales argentinos y extranjeros.
Su forma es muy simple; en su version papel consiste en una hoja tamaño A4, impresa de ambos lados y plegada en forma triangular.
Su distribución era libre y gratuita, pudiendo encontrarse en librerías, galerías de arte, eventos poéticos y en otras publicaciones, también se distribuyó mano a mano y ha viajado a Uruguay, Perú, España, Brasil, etc.
A partir del 2020 muta a la virtualidad, definiéndose como un virtualzine.
Actualmente su publicación se desarrolla por los canales de Instagram, Facebook y el Blog
Exhibiciones:
Festival Enlaces 2011, Patagonia, Argentina.
Imagen y Palabra II, (2013) Espacio Cultural BCN, Bs.As., Argentina.
CERTIFICO: que al folio 183 / 88 bajo el número 070 del libro de nacimientos del año 2007 de la oficina de caballito, Capital Federal, se encuentra labrada el acta de NACIMIENTO de Aura Poesía Visual ocurrido el el día 20 de mes de Octubre del año 2007 a la hora 17 y 49.
Lugar de nacimiento: Caballito. Sexo: aurático. Padres: Color pastel & Equipo Alamarchanta.
DOY FE: que así resulta de acta expresada y sus notas marginales.
A pedido de parte interesada, por quien lo solicite, expido el presente que sello y firmo en mi carácter de facilitador el día 15 de noviembre de año 2007.
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